{"title":"All","description":null,"products":[{"product_id":"vintage-black-leather-ej100-ox-chair-hans-j-wegner-erik-jorgensen-1980s-scandinavian-mid-century-modern-minimalist-furniture-design-icon","title":"EJ100 Ox Chair in Black Leather \u0026 Steel by Hans J. Wegner for Erik Jørgensen, 1989","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · EJ100 Ox Chair\u003cbr\u003eDesigner · Hans J. Wegner\u003cbr\u003eManufacturer · Erik Jørgensen\u003cbr\u003eOrigin · Denmark\u003cbr\u003eDesign · 1960\u003cbr\u003eProduction · 1989 onwards\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Leather, moulded polyurethane foam, polished steel\u003cbr\u003eColour · Black, polished steel\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Ox Chair is one of Hans J. Wegner's most expressive designs and a remarkable departure from the restrained wooden furniture for which the Danish master is best known.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1960, the chair emerged during a particularly experimental period in Wegner's career. Instead of exposing a carefully articulated timber structure, the Ox is defined by a single monumental upholstered body, elevated above the floor on a minimal steel base.\u003c\/p\u003e\n\u003cp\u003eIts most distinctive element is the dramatic horn-like headrest. Extending asymmetrically from the broad back, it gives the chair its name and transforms an otherwise generous lounge chair into an immediately recognisable sculptural object. The form appears almost abstract when viewed from behind, while from the front it wraps naturally around the body.\u003c\/p\u003e\n\u003cp\u003eThe relationship between the substantial upholstered shell and slender steel structure is fundamental to the design. The seat appears heavy and almost architectural, yet the polished base lifts it away from the floor and gives the entire composition an unexpected sense of lightness.\u003c\/p\u003e\n\u003cp\u003eIn black leather, this contrast becomes particularly pronounced. The continuous dark surface emphasises every curve of the chair while allowing the polished steel structure beneath it to remain visually independent.\u003c\/p\u003e\n\u003cp\u003eThe Ox reveals a freer side of Wegner's work, demonstrating that his understanding of furniture extended far beyond the cabinetmaking tradition. It remains one of his most unconventional and sculpturally ambitious designs.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eHans J. Wegner (1914–2007) was one of the defining figures of Danish modernism and among the most influential furniture designers of the 20th century.\u003c\/p\u003e\n\u003cp\u003eTrained first as a cabinetmaker and later at the Danish School of Arts and Crafts, Wegner developed an unusually intimate understanding of construction, proportion and the behaviour of materials. This foundation remained central to his work even as his designs became increasingly experimental.\u003c\/p\u003e\n\u003cp\u003eThroughout his career, Wegner created hundreds of chairs, exploring the typology with extraordinary range. Many were defined by exposed wooden joinery and structural clarity, while others pushed considerably further into sculptural territory.\u003c\/p\u003e\n\u003cp\u003eThe Ox Chair, designed in 1960, belongs firmly to this more experimental side of his practice. Its expansive upholstered body, distinctive headrest and minimal steel support bear little resemblance to the traditional cabinetmaking language of designs such as the Wishbone Chair, yet the underlying concern remains the same: creating an object around the proportions and comfort of the human body.\u003c\/p\u003e\n\u003cp\u003eThe result is one of Wegner's most individual designs, combining monumentality, humour and ergonomic sophistication within a single form.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eErik Jørgensen was one of Denmark's most respected furniture manufacturers, particularly recognised for its expertise in upholstery and technically demanding seating.\u003c\/p\u003e\n\u003cp\u003eThe company became closely associated with the Ox Chair when it returned Wegner's 1960 design to production in 1989.\u003c\/p\u003e\n\u003cp\u003eProducing the Ox requires a very different set of skills from the traditional wooden furniture frequently associated with Wegner. Its complex sculptural body depends on precise shaping and sophisticated upholstery to maintain the continuous curves of the original design.\u003c\/p\u003e\n\u003cp\u003eErik Jørgensen's production brought the chair back to an international audience while preserving the unusual proportions and commanding silhouette that made the original design so distinctive.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe Ox Chair is presented in excellent vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe black leather upholstery remains beautifully preserved, retaining its supple character, deep colour and clean appearance with only subtle traces of age and use.\u003c\/p\u003e\n\u003cp\u003eThe polished steel base is equally well preserved, maintaining its elegant reflective finish and providing a crisp contrast with the substantial black upholstered shell above.\u003c\/p\u003e\n\u003cp\u003eOverall, the chair presents exceptionally well as a carefully preserved vintage example of Wegner's iconic design.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 99 cm \/ 39 in\u003cbr\u003eDepth · 99 cm \/ 39 in\u003cbr\u003eHeight · 92 cm \/ 36 in\u003cbr\u003eSeat height · 36 cm \/ 14 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe EJ100 Ox Chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe EJ100 Ox Chair is ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538966139217,"sku":"LHWEJD1980BGLS1","price":12620.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/565b7d22-il_fullxfull.8363398104_rg2q.jpg?v=1786446459"},{"product_id":"vintage-black-sheepskin-lamino-lounge-chair-ottoman-yngve-ekstrom-swedese-1956-scandinavian-original-mid-century-modern-minimalist-furniture","title":"Lamino Lounge Chair \u0026 Ottoman Black Sheepskin \u0026 Beech by Yngve Ekström for Swedese, 1956, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Lamino\u003cbr\u003eDesigner · Yngve Ekström\u003cbr\u003eManufacturer · Swedese\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1956\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Laminated beech, sheepskin\u003cbr\u003eColour · Black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eFew chairs express the Scandinavian idea of comfort with as little material as the Lamino.\u003c\/p\u003e\n\u003cp\u003eDesigned by Yngve Ekström in 1956, the chair is built around a pair of gracefully curved laminated beech frames that follow the natural position of the human body. Between them sits a suspended sheepskin surface, creating a chair that feels visually light while offering generous support.\u003c\/p\u003e\n\u003cp\u003eThis example takes the familiar Lamino silhouette into a darker territory. Black sheepskin against the black-painted timber transforms the chair into an almost continuous sculptural form, allowing its curves, proportions and construction to become the focus.\u003c\/p\u003e\n\u003cp\u003ePaired with its matching ottoman, the Lamino becomes a complete reclining composition. Simple materials, almost no decoration, and remarkably little structure are required. It is precisely this economy that has allowed the design to remain relevant for generations.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eYngve Ekström (1913–1988) was one of the central figures of Swedish modern furniture design.\u003c\/p\u003e\n\u003cp\u003eRooted in Sweden’s cabinetmaking tradition, Ekström developed a language based on structural economy, ergonomic comfort and an unusually sensitive understanding of wood. Rather than hiding construction, his furniture often allowed the material itself to determine the form.\u003c\/p\u003e\n\u003cp\u003eThe Lamino became the clearest expression of these ideas. Introduced in 1956, its flowing laminated structure translated traditional woodworking into an unmistakably modern object and became Ekström’s defining design.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eSwedese was founded in Sweden in 1945 by Yngve Ekström together with his brother Jerker Ekström and Sven Bertil Sjöqvist.\u003c\/p\u003e\n\u003cp\u003eThe company became closely connected with the development of Swedish modernism and with Ekström’s own furniture in particular. The Lamino remains its defining design and one of the most enduring pieces in Scandinavian furniture history.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe laminated beech structure remains fully original and is preserved in excellent vintage condition. The genuine black sheepskin upholstery is equally well maintained, retaining its rich texture and softness.\u003c\/p\u003e\n\u003cp\u003eOverall, the chair and ottoman are in excellent, nearly new vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eChair:\u003cbr\u003eWidth · 70 cm \/ 27.6 in\u003cbr\u003eDepth · 78 cm \/ 30.7 in\u003cbr\u003eHeight · 101 cm \/ 39.8 in\u003cbr\u003eSeat height · 41 cm \/ 16.1 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair and ottoman are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair and ottoman can be ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538966827345,"sku":"LYES1950BBWS1","price":5270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/4e403857-il_fullxfull.7930716611_2nic.jpg?v=1786446463"},{"product_id":"vintage-black-leather-swivel-swan-chair-arne-jacobsen-fritz-hansen-1950s-set-of-2-denmark-scandinavian-mid-century-modern-minimalist-design","title":"Swan Chairs 3320 in Black Leather \u0026 Chrome by Arne Jacobsen for Fritz Hansen, 1958, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Swan Chair 3320\u003cbr\u003eDesigner · Arne Jacobsen\u003cbr\u003eManufacturer · Fritz Hansen\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1958\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Leather, moulded shell, chrome-plated steel\u003cbr\u003eColour · Black, chrome\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Swan Chair is one of Arne Jacobsen's defining furniture designs and one of the most recognisable sculptural forms to emerge from Danish modernism.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1958 for the SAS Royal Hotel in Copenhagen, the Swan was conceived as part of Jacobsen's complete architectural vision for the building. He designed virtually every element of the hotel, from its façade and interiors to furniture, lighting and smaller details, creating one of the most ambitious examples of total design in postwar Scandinavia.\u003c\/p\u003e\n\u003cp\u003eThe Swan represented a radical departure from conventional chair construction. Its continuous shell contains virtually no straight lines, flowing from the backrest into the arms and seat as a single organic volume. The compact swivel base beneath it makes the sculptural upper body appear almost suspended above the floor.\u003c\/p\u003e\n\u003cp\u003eUnlike the more enveloping Egg Chair developed for the same interior, the Swan is open and outward-facing. Its low back and sweeping arms give it an inviting presence while maintaining the visual lightness necessary for the hotel's public spaces.\u003c\/p\u003e\n\u003cp\u003ePresented as a pair in black leather, the chairs become particularly architectural. Their mirrored curves create a strong dialogue when positioned together, while the contrast between the dark organic shells and slender metal bases makes their silhouettes especially clear.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eArne Jacobsen (1902–1971) was one of Denmark's most influential architects and designers and a central figure in the development of Scandinavian modernism.\u003c\/p\u003e\n\u003cp\u003eEducated at the Royal Danish Academy of Fine Arts in Copenhagen, Jacobsen approached furniture as an extension of architecture. Buildings, interiors, furniture, lighting and objects were frequently developed together, resulting in environments of exceptional visual coherence.\u003c\/p\u003e\n\u003cp\u003eHis furniture combined the rational principles of modern architecture with a sophisticated understanding of proportion, material and the human body. Designs including the Ant, Series 7, Egg and Swan demonstrate his ability to translate architectural ideas into objects intended for everyday use.\u003c\/p\u003e\n\u003cp\u003eThe SAS Royal Hotel became perhaps the clearest expression of this philosophy. The Swan and Egg chairs were created specifically for its interiors in 1958, yet both quickly developed identities far beyond the building itself.\u003c\/p\u003e\n\u003cp\u003eThe Swan remains one of Jacobsen's purest experiments with organic form, reducing the traditional armchair to a continuous sculptural shell supported by a remarkably minimal base.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFritz Hansen was founded in Denmark in 1872 and became one of the most important furniture manufacturers in the history of Scandinavian design.\u003c\/p\u003e\n\u003cp\u003eIts collaboration with Arne Jacobsen played a fundamental role in this development. Fritz Hansen's expertise in experimental manufacturing allowed Jacobsen to explore increasingly ambitious forms, from the moulded plywood shells of his earlier chairs to the complex sculptural volumes of the Egg and Swan.\u003c\/p\u003e\n\u003cp\u003eIntroduced in 1958, the Swan became one of the defining designs of the Fritz Hansen collection and remains closely associated with both the manufacturer and Jacobsen's architectural legacy.\u003c\/p\u003e\n\u003cp\u003eThe longevity of the design is remarkable. More than six decades after its introduction, the Swan remains in production and continues to feel distinctly modern.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eBoth chairs retain their original black leather upholstery and metal swivel bases.\u003c\/p\u003e\n\u003cp\u003eThe leather is well preserved and has developed a beautiful natural patina through age and use, giving each chair subtle individual character while maintaining the visual consistency of the pair.\u003c\/p\u003e\n\u003cp\u003eThe metal bases remain in excellent original vintage condition, showing only light traces of use consistent with age.\u003c\/p\u003e\n\u003cp\u003eOverall, the pair is presented in excellent original vintage condition, with its materials and character beautifully preserved.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 74 cm \/ 29.1 in\u003cbr\u003eDepth · 68 cm \/ 26.8 in\u003cbr\u003eHeight · 77 cm \/ 30.3 in\u003cbr\u003eSeat height · 40 cm \/ 15.7 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two Swan Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set is ready to ship within 15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538967122257,"sku":"AJFHD1950BGLM2","price":11150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/712d7704-il_fullxfull.7928961323_cebw.jpg?v=1786446466"},{"product_id":"vintage-black-wood-alvar-aalto-model-64-bar-stools-artek-finland-1930-set-of-4-minimalist-scandinavian-mid-century-modern-furniture-design","title":"Model 64 Bar Stools in Black Painted Plywood by Alvar Aalto for Artek, 1930s, Set of 4","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · 64\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Alvar Aalto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Artek\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Finland\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1930s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Finnish Modernism\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent birch plywood\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel 64 takes one of Aalto's simplest ideas and stretches it upwards. A circular seat rises above four slender birch legs, each bending gently into the structure rather than meeting it through conventional joints. A single wooden ring holds everything together and becomes a place for the feet. Nothing else is needed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe stool grew from Aalto's experiments with the L-leg in the early 1930s — a small technical invention that would become an entire language of furniture. In black, Model 64 becomes almost graphic: circles, vertical lines and curves repeating through space. Seen together as a set of four, the stools feel less like separate objects and more like a small piece of architecture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAlvar Aalto (1898–1976) approached furniture as part of a much larger idea of living. Architecture, interiors, furniture, glass and even the smallest details of a room belonged to the same world, shaped around the people who would eventually inhabit it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis experiments with bent wood became one of his most important contributions to modern design. Instead of following the cold industrial language emerging elsewhere in Europe, Aalto found modernity in forests, curves and the natural behaviour of materials. The L-leg became the foundation for an entire family of furniture and one of the most recognisable ideas in modern design.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eArtek was founded in Helsinki in 1935 by Alvar and Aino Aalto, Maire Gullichsen and Nils-Gustav Hahl with an unusually ambitious purpose: not simply to sell furniture, but to promote a new culture of living.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe company became the vessel through which Aalto's experiments entered everyday life. Furniture, architecture and art were allowed to exist as parts of the same idea, bringing Finnish modernism from Helsinki into homes around the world. Nearly a century later, Artek remains inseparable from the language Aalto helped create.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe original birch plywood structures have been preserved and finished in black paint. The stools remain in great vintage condition, showing light traces of age and previous use while retaining their structural integrity and visual clarity. As with any authentic vintage pieces, subtle traces of time may be present, adding to their history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 55 cm \/ 21.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 55 cm \/ 21.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 75 cm \/ 29.5 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 75 cm \/ 29.5 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bar stools are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bar stools can be ready to ship within 10-15 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538967777617,"sku":"SAAAF1930BBWL4","price":4200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/6719c723-il_fullxfull.7919836975_lfqo.jpg?v=1786446471"},{"product_id":"vintage-black-leather-mondo-armchairs-karl-erik-ekselius-joc-vetlanda-sweden-1970s-set-of-2-scandinavian-mid-century-modern-furniture-design","title":"Mondo Armchairs in Black Leather and Aluminum by Karl Erik Ekselius for JOC Vetlanda, 1970s, Set of 2","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Mondo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Karl Erik Ekselius\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · JOC Vetlanda\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Sweden\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1970s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Aluminium, leather, foam\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Black, brushed silver\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eMondo is built around a beautiful contrast. A precise aluminium structure holds generous cushions of black leather, bringing something soft and deeply tactile into an otherwise architectural frame. The metal remains visible, the leather is allowed to age, and neither material tries to become something it is not.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEkselius understood that modern furniture did not have to feel cold. Mondo has the clarity of Scandinavian modernism, but also the ease of a chair made to be lived in. Low, relaxed and quietly substantial, the pair feels equally at home in the clean architecture of the 1970s and in a room half a century later.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eKarl Erik Ekselius (1929–1990) belonged to a generation of Swedish designers who pushed Scandinavian modernism beyond the familiar language of pale wood and traditional cabinetmaking. Educated at Konstfack in Stockholm, he developed a vocabulary that was more architectural, combining disciplined proportions with rich, tactile materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis long collaboration with JOC Vetlanda gave those ideas a physical form. Leather, aluminium and carefully considered upholstery became part of a distinctly modern world, one where comfort and precision could occupy the same object. The Mondo series remains one of the clearest expressions of that thinking.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJOC Vetlanda emerged from the Swedish furniture-making town of Vetlanda and became closely associated with Karl Erik Ekselius. Their collaboration brought together industrial precision and the craftsmanship for which Scandinavian furniture had become known. During the postwar decades, JOC produced furniture that felt increasingly international while remaining unmistakably Swedish in its attention to material, proportion and longevity.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe aluminium frames remain original, while the seating has been freshly upholstered in rich black leather. Both armchairs are preserved in excellent vintage condition. As with any authentic vintage pieces, subtle traces of age and previous use may be present, adding to their history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 68 cm \/ 26.8 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 78 cm \/ 30.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 73 cm \/ 28.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 42 cm \/ 16.5 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe armchairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe armchairs can be ready to ship within 10-15 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538968236369,"sku":"KEEJVS1970BGLA2","price":3680.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/c1d4ccd7-il_fullxfull.6860964011_289d.jpg?v=1786446471"},{"product_id":"vintage-natural-wood-alvar-aalto-model-66-dining-chairs-artek-finland-1930-set-of-4-minimalist-scandinavian-mid-century-modern-design-icon","title":"Model 66 Dining Chairs in Natural Bent Birch Plywood by Alvar Aalto for Artek 1930s, Set of 4","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Model 66\u003cbr\u003eDesigner · Alvar Aalto\u003cbr\u003eManufacturer · Artek\u003cbr\u003eOrigin · Finland\u003cbr\u003ePeriod · 1930s\u003cbr\u003eStyle · Scandinavian Modern \/ Functionalism\u003cbr\u003eMaterials · Bent birch plywood\u003cbr\u003eColour · Natural birch\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eModel 66 belongs to the moment when modern furniture stopped needing to look industrial.\u003c\/p\u003e\n\u003cp\u003eDesigned by Alvar Aalto in 1935, the chair translated the principles of European modernism into something distinctly Finnish. Instead of tubular steel and rigid geometry, Aalto worked with birch, bending wood into structural curves that could be industrially produced while retaining warmth and tactility.\u003c\/p\u003e\n\u003cp\u003eThe chair is built around Aalto's celebrated L-leg construction, where the legs bend directly into the seat rather than relying on a conventional supporting frame. Above it, the higher curved backrest gives Model 66 a more upright and architectural character while preserving the remarkable simplicity of the construction.\u003c\/p\u003e\n\u003cp\u003eIn natural birch, the idea becomes especially clear. Structure, surface and colour are almost the same thing. There is very little decoration because the construction itself provides the identity.\u003c\/p\u003e\n\u003cp\u003eAs a set of four, the chairs create a quiet rhythm around a dining table, recognisably Aalto without demanding attention.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eAlvar Aalto (1898–1976) was a Finnish architect and designer whose work fundamentally changed the direction of modern architecture and furniture.\u003c\/p\u003e\n\u003cp\u003eRather than accepting the hard industrial language of early European modernism, Aalto introduced natural materials, organic geometry and a more human relationship between objects and their users. His experiments with laminated and bent birch during the 1930s produced an entirely new vocabulary for modern furniture.\u003c\/p\u003e\n\u003cp\u003eModel 66 emerged from this period of experimentation and shares its construction principles with some of Aalto's most important furniture designs. What appears remarkably simple is the result of a much larger idea: modern furniture could be rational and reproducible without sacrificing warmth.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eArtek was founded in Helsinki in 1935 by Alvar Aalto, Aino Aalto, Maire Gullichsen and Nils-Gustav Hahl.\u003c\/p\u003e\n\u003cp\u003eMore than a furniture manufacturer, Artek was conceived as a platform for a new culture of modern living, bringing together furniture, architecture, exhibitions and art. Aalto's furniture formed the foundation of its collection, and Model 66 remains part of the design language that established Artek internationally.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe birch plywood structures and seating surfaces have been carefully preserved and remain in great vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe wood displays light traces of age and use consistent with vintage furniture while retaining its structural integrity, natural character and visual clarity.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 39 cm \/ 15.4 in\u003cbr\u003eDepth · 42 cm \/ 16.5 in\u003cbr\u003eHeight · 78 cm \/ 30.7 in\u003cbr\u003eSeat height · 45 cm \/ 17.7 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of four dining chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe chairs can be ready to ship within 15–20 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538968367441,"sku":"CAAD1930BBWW4","price":4630.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/e2d76fed-il_fullxfull.7855880108_pb1y.jpg?v=1786446470"},{"product_id":"original-steel-rope-flag-halyard-lounge-chair-hans-j-wegner-pp-mobler-1960s-scandinavian-mid-century-modern-minimalist-furniture-design-icon","title":"Flag Halyard Lounge Chair in Steel, Halyard Rope \u0026 Leather by Hans J. Wegner for PP Møbler, 1960s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Flag Halyard\u003cbr\u003eDesigner · Hans J. Wegner\u003cbr\u003eManufacturer · PP Møbler\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Stainless steel, halyard rope, leather\u003cbr\u003eColour · Steel grey, beige, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eFlag Halyard looks almost as though a chair has been drawn in space. A slender steel frame establishes the outline, hundreds of lengths of rope create the surface, and a small leather pillow appears exactly where the body needs softness. There is almost nothing conventional about it, yet the result feels completely natural once you sit down.\u003c\/p\u003e\n\u003cp\u003eWegner conceived the chair in 1950 while on holiday, reportedly shaping a seat for himself in the sand before translating its contours into steel and rope. It was an extraordinary departure for a designer so closely associated with wood. Here, industrial materials become unexpectedly intimate. Steel carries the body, rope gives beneath it, and the chair seems suspended somewhere between a piece of furniture and a structure built simply for dreaming.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eHans J. Wegner (1914–2007) began as a cabinetmaker before becoming one of the great chair designers of the 20th century. His understanding of construction was extraordinary, but what made his furniture different was the freedom with which he used it. Tradition became something to explore rather than imitate.\u003c\/p\u003e\n\u003cp\u003eHe designed hundreds of chairs, moving effortlessly between ancient furniture archetypes, Danish cabinetmaking and experiments that seemed to belong to another world entirely. Flag Halyard is perhaps one of the clearest examples of that freedom. Wegner abandoned the wood for which he was famous and created comfort from steel and rope instead, proving that his real material was never timber. It was the human body.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003ePP Møbler grew from a small Danish joinery workshop founded in 1953 into one of the great custodians of Hans J. Wegner's work. Its relationship with the designer developed through a shared fascination with craftsmanship and furniture that was difficult precisely because nothing about it could be approximate.\u003c\/p\u003e\n\u003cp\u003eFlag Halyard embodies that philosophy in an unusual language. Rather than intricate timber joinery, its character emerges from precisely formed steel and an extraordinary amount of rope woven by hand around the structure. What appears effortless is the result of countless small decisions disappearing into the finished chair.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe polished stainless steel frame and woven halyard rope remain original and are beautifully preserved in excellent vintage condition. The black leather headrest pillow has been refreshed, restoring its softness while remaining faithful to the original character of the chair. As with any authentic vintage piece, subtle traces of age and previous use may be present, adding to its history and individual character.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 99 cm \/ 39.0 in\u003cbr\u003eDepth · 117 cm \/ 46.0 in\u003cbr\u003eHeight · 80 cm \/ 31.0 in\u003cbr\u003eSeat height · 38 cm \/ 15.0 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538968629585,"sku":"LHWPPM1950MBSR1","price":19960.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/7f3c1037-il_fullxfull.7442446702_4cet.jpg?v=1786446471"},{"product_id":"vintage-black-leather-plywood-gravity-balans-lounge-chair-peter-opsvik-varier-1990s-norway-scandinavian-mid-century-modern-minimalist-icon","title":"Gravity Balans Lounge Chair in Black Leather \u0026 Beige Plywood by Peter Opsvik for Varier, 1990s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Gravity Balans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Peter Opsvik\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Varier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Norway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1990s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Postmodern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent beech plywood, leather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Beige, black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGravity Balans does not really have a single way of being a chair. Its long bentwood runners allow the entire structure to move with the body, shifting from an upright seat into a reclined position until the legs rise above the heart and the sitter seems almost weightless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOpsvik designed Gravity Balans as a challenge to the idea that sitting should mean remaining still. The chair rocks, tilts and changes its relationship with gravity as the body moves through it. Bent beech creates one continuous sweeping structure while black leather marks the points where the body meets the chair. It looks unusual because the idea behind it is unusual: furniture should adapt to us, rather than asking us to adapt to furniture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePeter Opsvik (1939–2024) spent much of his career questioning something most designers had simply accepted: the way people sit. Rather than searching for one perfect posture, he believed the body needed movement, variation and the freedom to continually change position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat idea produced some of Norway's most unconventional furniture. Chairs became rocking structures, kneeling supports, saddles and balancing devices, often using bent wood to follow movements that conventional seating tried to prevent. Gravity Balans is perhaps the most complete expression of that thinking — less a fixed chair than an instrument for exploring what sitting could become.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eVarier grew from the Norwegian tradition of ergonomic seating, building its identity around furniture designed for movement rather than static posture. Its collection brought together some of the country's most experimental ideas about the relationship between furniture and the human body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePeter Opsvik's designs became central to that world. Gravity Balans embodies the philosophy particularly clearly: bent wood, carefully positioned supports and a rocking structure work together to create a chair whose form changes continuously with the person using it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bent beech plywood frame and black leather seating remain original and are preserved in excellent vintage condition. Both the wooden structure and leather show only minimal traces of age and previous use, leaving the chair in a nearly new vintage state. As with any authentic vintage piece, subtle traces of time may be present, adding to its history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 73 cm \/ 28.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 135 cm \/ 53.2 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 120 cm \/ 47.3 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 46 cm \/ 18.1 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe angle of the chair changes with the sitting position, allowing the body to move between upright and deeply reclined configurations.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair can be ready to ship within 5 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538969481553,"sku":"LPOVN1990BBLP1","price":4230.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/GravityBlackLeatherBeigeWood1.jpg?v=1788547436"},{"product_id":"original-vintage-brass-paper-le-klint-table-lamp-kaare-klint-denmark-1950s-scandinavian-mid-century-modern-minimalist-rare-lighting-icon","title":"Le Klint 306 Table Lamp in Hand-Folded Paper \u0026 Solid Brass by Kaare Klint for Le Klint, 1950s","description":"\u003cp dir=\"auto\" class=\"PDq2pG_selectionAnchorContainer\"\u003eDesigner · Kaare Klint\u003cbr\u003eManufacturer · Le Klint\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1950s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Hand-folded paper, solid brass\u003cbr\u003eColour · White, brass\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eObject\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eThis Le Klint 306 Kaare Klint table lamp for Le Klint brings together two materials with completely different qualities: a precisely folded paper shade and a slender solid brass structure.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe shade is fundamental to the design. Created through Le Klint's distinctive hand-folding technique, a flat sheet of material is transformed into a three-dimensional geometric surface through a sequence of carefully controlled folds. When illuminated, these folds soften and diffuse the light while creating subtle variations of brightness across the shade.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eBelow it, the brass base is remarkably restrained. Its slender vertical structure gives the shade visual space and allows the folded geometry to remain the dominant element, while the weight and permanence of brass provide a deliberate contrast to the lightness of paper.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eTime has added another layer to the composition. The white shade remains crisp and luminous, while the brass has developed a warm natural patina. Together, the two materials give the lamp a character that feels simultaneously architectural and intimate.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIt is an approach characteristic of Scandinavian lighting at its best. The object itself is beautiful, but its real purpose becomes apparent when illuminated, when material, geometry and light become inseparable.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eDesigner\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eKaare Klint (1888–1954) was a Danish architect and furniture designer widely regarded as one of the founders of modern Danish design.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eRather than rejecting historical design, Klint studied it carefully. He examined proportion, construction, materials and the dimensions of the human body, refining established forms according to contemporary needs rather than pursuing novelty for its own sake.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eIn 1924, Klint helped establish the Department of Furniture Design at the Royal Danish Academy of Fine Arts in Copenhagen. Through his teaching, he influenced the development of an entire generation of Danish designers and helped establish the analytical, craftsmanship-led approach that would later define Danish Modern.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eLighting formed part of this broader architectural philosophy. Within the Klint family's work, the folded shade became a particularly elegant demonstration of how a simple material could be transformed through geometry into an object that was both functional and visually distinctive.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eManufacturer\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eLe Klint was established in Denmark in 1943 and became internationally recognised for its distinctive hand-folded lampshades.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe origins of the company's folding tradition reach back further. Architect P.V. Jensen-Klint, father of Kaare Klint, developed an early folded shade for his own use at the beginning of the 20th century. Members of the Klint family continued experimenting with the principle before the company was formally established.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe technique transformed paper and later other translucent materials through precise hand folding, producing complex sculptural forms without relying on elaborate structural frameworks.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThis combination of craftsmanship, geometry and carefully controlled illumination became the foundation of Le Klint's identity and established its lamps as an important part of Danish lighting history.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eCondition\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eThe lamp is presented in excellent vintage condition.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe hand-folded white paper shade has been carefully preserved and remains in excellent condition, without tears or significant discolouration.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eThe solid brass base retains a beautiful natural patina developed through age, giving the metal warmth and individual character without diminishing the clarity of the design.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eOverall, the lamp presents beautifully and retains the authentic material character expected from a well-preserved vintage example.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003eAs with all vintage lighting, the electrical components should be inspected by a qualified electrician before use and adapted where necessary to local electrical standards.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eDimensions\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eHeight · 55 cm \/ 21.6 in\u003cbr\u003eShade diameter · 35 cm \/ 13.8 in\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eIncluded\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eThe table lamp is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eAvailability\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eThe table lamp is ready to ship within 10 business days.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eShipping\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3 dir=\"auto\"\u003eEnquiries\u003c\/h3\u003e\n\u003cp dir=\"auto\"\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp dir=\"auto\"\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538969710929,"sku":"LKKLD1950BPYB10","price":1210.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/306d1f60-il_fullxfull.7300851821_ch97.jpg?v=1786446479"},{"product_id":"vintage-brown-leather-steel-highback-falcon-chair-sigurd-ressell-vatne-mobler-1970s-norway-scandinavian-mid-century-modern-minimal-furniture","title":"High-Back Falcon Lounge Chair in Brown Leather \u0026 Chrome by Sigurd Ressell for Vatne Møbler, 1970s","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Falcon, High-Back\u003cbr\u003eDesigner · Sigurd Ressell\u003cbr\u003eManufacturer · Vatne Møbler\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Norwegian Modern\u003cbr\u003eMaterials · Chromed steel, leather\u003cbr\u003eColour · Chrome, brown\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe high-back Falcon Chair is one of the most distinctive expressions of Sigurd Ressell's experiments with suspended seating.\u003c\/p\u003e\n\u003cp\u003eDeveloped around 1970 and introduced by Vatne Møbler shortly afterwards, the Falcon was based on an unconventional idea. Rather than building comfort around a conventional upholstered frame, Ressell suspended a generous leather seat within an independent supporting structure, allowing the body to settle naturally into the chair.\u003c\/p\u003e\n\u003cp\u003eThis early version uses a chromed steel base, giving the Falcon an especially architectural character. Four slender supports rise from the floor to hold the suspended seating above them, visually separating structure from comfort. The high back extends the leather form upwards, creating a more enveloping sitting position while preserving the openness of the construction.\u003c\/p\u003e\n\u003cp\u003eIn this example, the reflective chrome frame contrasts with warm brown leather. The materials perform very different roles but remain equally visible: steel provides tension and stability, while leather introduces softness, movement and the tactile character that develops naturally with age.\u003c\/p\u003e\n\u003cp\u003eThe Falcon is both technically intelligent and unmistakably a product of the 1970s. Its low suspended seat, exposed structure and generous proportions give it a relaxed presence without relying on conventional mass.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eSigurd Ressell (1920–2010) was a Norwegian interior and industrial designer whose work played an important role in the development of postwar Norwegian furniture.\u003c\/p\u003e\n\u003cp\u003eAfter studying carpentry at the Norwegian National Academy of Craft \u0026amp; Art Industry, Ressell worked for Rastad \u0026amp; Relling from 1948 until 1968, designing furniture and interiors during a formative period for Scandinavian modernism.\u003c\/p\u003e\n\u003cp\u003eDuring the 1960s, his work increasingly explored steel structures, suspended seating and unconventional methods of supporting the body. These experiments eventually led to the design that would define his career.\u003c\/p\u003e\n\u003cp\u003eRessell joined Vatne Møbler as chief designer in 1968, and the Falcon followed around 1970. Originally developed under the name Blank Vals, the chair entered production as the Falcon in 1971 and quickly became an international commercial success.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eVatne Møbler was established in 1946 in Vatne, Sunnmøre, originally under the name Vatne Lenestolfabrikk.\u003c\/p\u003e\n\u003cp\u003eThe Norwegian manufacturer became particularly recognised for high-quality upholstered furniture and its collaborations with designers including Fredrik A. Kayser and Sigurd Ressell.\u003c\/p\u003e\n\u003cp\u003eThe Falcon became one of Vatne's defining designs. Its international popularity during the 1970s helped establish both the manufacturer and Ressell's work far beyond Norway.\u003c\/p\u003e\n\u003cp\u003eEarly chrome-frame versions such as this example represent the original structural expression of the design before Ressell developed the later laminated bentwood base.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe chromed steel structure and brown leather upholstery remain fully original and are presented in excellent vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe chrome frame retains its reflective finish and structural integrity, showing only subtle traces of age and use.\u003c\/p\u003e\n\u003cp\u003eThe original brown leather is equally well preserved, retaining its softness, depth of colour and natural vintage character.\u003c\/p\u003e\n\u003cp\u003eOverall, the chair is an exceptionally well-preserved original example.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 78 cm \/ 30.7 in\u003cbr\u003eDepth · 78 cm \/ 30.7 in\u003cbr\u003eHeight · 94 cm \/ 37 in\u003cbr\u003eSeat height · 38 cm \/ 14.9 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe High-Back Falcon Lounge Chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe High-Back Falcon Lounge Chair is ready to ship within 5–10 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538970300753,"sku":"LSRVN1970BMLS1","price":4890.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/a200a842-il_fullxfull.7064113059_5ufs.jpg?v=1786446483"},{"product_id":"vintage-black-leather-plywood-focus-sling-lounge-chair-bramin-mobler-1970s-set-of-2-scandinavian-mid-century-modern-minimal-furniture-design","title":"Focus Sling Lounge Chairs in Dark Brown Leather \u0026 Bent Plywood by Bramin Møbler, 1970s, Set of 2","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Focus\u003cbr\u003eManufacturer · Bramin Møbler\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Beige, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eFocus is built around a simple act of suspension. Two sweeping pieces of bent plywood rise from the floor while black leather hangs between them, creating a seat without the visual weight of a conventional upholstered chair. The structure remains open, the materials remain visible, and almost nothing interrupts the line from floor to backrest.\u003c\/p\u003e\n\u003cp\u003eThere is something particularly relaxed about this kind of 1970s Scandinavian modernism. The strict geometry of earlier decades begins to loosen, allowing the body to sit lower and the leather to move naturally with it. In this pair, pale plywood and black leather make that construction especially clear. Wood bends, leather gives, and the chairs seem to find their shape somewhere between structure and gravity.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eBramin Møbler was a Danish furniture manufacturer based in Bramming, Denmark, and became particularly associated with the refined furniture of the postwar decades. Its production belonged to a period when Danish design was travelling far beyond Scandinavia, bringing together skilled woodworking, carefully considered proportions and an increasingly relaxed approach to modern living.\u003c\/p\u003e\n\u003cp\u003eThe Focus Lounge Chair captures that moment beautifully. Bent plywood and suspended leather reduce the chair to a few expressive elements, creating an object that feels distinctly of the 1970s while remaining remarkably easy to place in a contemporary interior.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe bent plywood structures and black leather seating remain original and are preserved in excellent vintage condition. As with any authentic vintage pieces, subtle traces of age and previous use may be present, adding to the history and individual character of the chairs.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 66 cm \/ 26.0 in\u003cbr\u003eDepth · 75 cm \/ 29.5 in\u003cbr\u003eHeight · 94 cm \/ 37.0 in\u003cbr\u003eSeat height · 35 cm \/ 13.8 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs can be ready to ship within 5 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538970530129,"sku":"LFBD1970BBLP2","price":4280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/edb9a98f-il_fullxfull.8247315454_qjfy.jpg?v=1786446483"},{"product_id":"arne-jacobsen-series-7-dining-chairs-fritz-hansen-denmark-1960s-set-of-4-black-leather-tubular-steel-scandinavian-modern","title":"Series 7 Dining Chairs 3107 in Black Leather \u0026 Chrome by Arne Jacobsen for Fritz Hansen, 1960s, Set of 4","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Series 7, 3107\u003cbr\u003eDesigner · Arne Jacobsen\u003cbr\u003eManufacturer · Fritz Hansen\u003cbr\u003eOrigin · Denmark\u003cbr\u003eDesign · 1955\u003cbr\u003eProduction · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Moulded plywood, leather, chrome-plated steel\u003cbr\u003eColour · Black, chrome\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Series 7 is Arne Jacobsen's most widely recognised chair and one of the defining objects of postwar Danish design.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1955 for Fritz Hansen, Model 3107 developed from Jacobsen's earlier experiments with moulded plywood into an extraordinarily economical piece of furniture. The seat and back are resolved as a single continuous shell, narrowing dramatically at the waist before opening again around the body.\u003c\/p\u003e\n\u003cp\u003eThis sculpted plywood shell is fundamental to the chair's character. Thin, lightweight and gently flexible, it provides comfort through its geometry rather than through conventional furniture construction. Four slender tubular steel legs support the shell with minimal visual interruption, making the chair appear almost weightless.\u003c\/p\u003e\n\u003cp\u003eIn these examples, the moulded shells are upholstered in black leather and paired with polished chrome bases. The leather gives Jacobsen's otherwise extremely precise silhouette a richer and more tactile presence, while the reflective steel maintains the visual lightness of the original design.\u003c\/p\u003e\n\u003cp\u003ePresented as a set of four, the repeated hourglass profiles create a particularly strong rhythm around a dining table. Individually the Series 7 is almost diagrammatically simple. As a group, its curves, narrow waists and slender legs become an architectural composition of their own.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eArne Jacobsen (1902–1971) was one of Denmark's most influential architects and designers and a central figure in the development of Scandinavian modernism.\u003c\/p\u003e\n\u003cp\u003eEducated at the Royal Danish Academy of Fine Arts in Copenhagen, Jacobsen approached furniture and objects as extensions of architecture rather than separate disciplines. Buildings, interiors, furniture, lighting and smaller details were frequently developed as parts of one complete environment.\u003c\/p\u003e\n\u003cp\u003eHis furniture often emerged from experiments with new manufacturing techniques. During the early 1950s, Jacobsen worked with Fritz Hansen to explore the possibilities of pressure-moulded plywood, initially producing the three-legged Ant Chair in 1952.\u003c\/p\u003e\n\u003cp\u003eThe Series 7 followed in 1955. By refining the moulded shell and introducing a four-legged base, Jacobsen created a chair that could function across dining rooms, offices, institutions and public interiors while retaining an unmistakable identity.\u003c\/p\u003e\n\u003cp\u003eThe design became the most commercially successful chair associated with Jacobsen and one of the most recognisable silhouettes in modern furniture history.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFritz Hansen was founded in Denmark in 1872 and became one of the most important manufacturers in the development of Scandinavian furniture.\u003c\/p\u003e\n\u003cp\u003eThe company's willingness to experiment with materials and industrial production made its collaboration with Arne Jacobsen particularly significant. Together they developed new methods for shaping laminated plywood into thin, organically curved furniture shells.\u003c\/p\u003e\n\u003cp\u003eThis experimentation resulted first in the Ant Chair and subsequently in the Series 7, whose combination of efficient production, structural lightness and sculptural form made it exceptionally adaptable.\u003c\/p\u003e\n\u003cp\u003eThe Series 7 became one of Fritz Hansen's defining designs and remains closely associated with both the manufacturer and the broader history of Danish Modern furniture.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe set is presented in excellent vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe moulded plywood shells are beautifully preserved and upholstered in black leather, which retains a refined natural patina consistent with age and use.\u003c\/p\u003e\n\u003cp\u003eThe chrome-plated tubular steel bases remain clean, structurally sound and well preserved, complementing the darker upholstered shells.\u003c\/p\u003e\n\u003cp\u003eOverall, all four chairs present beautifully together and retain the authentic material character expected from vintage examples.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 50 cm \/ 19.7 in\u003cbr\u003eDepth · 52 cm \/ 20.5 in\u003cbr\u003eHeight · 79 cm \/ 31.1 in\u003cbr\u003eSeat height · 45 cm \/ 17.7 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of four Series 7 Dining Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set of four Series 7 Dining Chairs is ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538970661201,"sku":"CAJFH1960GTSL4","price":3790.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/28e1f88d-il_fullxfull.7794248640_dx7x.jpg?v=1786446485"},{"product_id":"vintage-black-leather-egg-chair-arne-jacobsen-fritz-hansen-1950s-denmark-scandinavian-mid-century-modern-minimalist-furniture-design-icon","title":"Egg Chair 3316 in Black Leather \u0026 Chrome by Arne Jacobsen for Fritz Hansen, 1958","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Egg Chair 3316\u003cbr\u003eDesigner · Arne Jacobsen\u003cbr\u003eManufacturer · Fritz Hansen\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1958\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Leather, moulded shell, chrome-plated steel\u003cbr\u003eColour · Black, chrome\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Egg Chair is one of the defining objects of 20th-century Scandinavian design and perhaps Arne Jacobsen's most immediately recognisable piece of furniture.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1958 for the SAS Royal Hotel in Copenhagen, the chair was conceived as part of a complete architectural interior. Jacobsen designed virtually every element of the hotel, from its façade and furniture to lighting, textiles and smaller details. The Egg emerged from this total-design approach as a sculptural counterpoint to the rational geometry of the building itself.\u003c\/p\u003e\n\u003cp\u003eIts enveloping shell was radical for the period. Rather than assembling the chair from a conventional frame, backrest and arms, Jacobsen developed a continuous organic form that wraps around the body. The high sides create a sense of privacy, originally allowing hotel guests to retreat visually from the openness of the lobby.\u003c\/p\u003e\n\u003cp\u003eThe compact swivel base makes the substantial shell appear almost weightless, while the black leather emphasises every curve of its silhouette. From different angles, the chair shifts continuously between furniture and sculpture.\u003c\/p\u003e\n\u003cp\u003eMore than six decades after its introduction, the Egg remains remarkably difficult to separate from the image of Danish modernism itself. Its significance lies not only in its iconic shape, but in the way architecture, technology and human comfort were resolved into a single continuous form.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eArne Jacobsen (1902–1971) was one of Denmark's most influential architects and designers and a central figure in the development of Scandinavian modernism.\u003c\/p\u003e\n\u003cp\u003eEducated at the Royal Danish Academy of Fine Arts in Copenhagen, Jacobsen approached furniture as part of architecture rather than as an isolated discipline. Buildings, interiors, furniture, lighting and objects were often developed simultaneously, creating remarkably coherent environments.\u003c\/p\u003e\n\u003cp\u003eHis work combined the rational principles of international modernism with an unusually sensitive understanding of proportion, material and the human body.\u003c\/p\u003e\n\u003cp\u003eThe SAS Royal Hotel became one of the clearest expressions of this philosophy. For the project, Jacobsen created several pieces that would become independent design icons, most famously the Egg and Swan chairs.\u003c\/p\u003e\n\u003cp\u003eThe Egg represents Jacobsen at his most sculptural. Its organic form departed dramatically from conventional chair construction while retaining the precision and functional discipline that characterised his architecture.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFritz Hansen was founded in Denmark in 1872 and became one of the most important manufacturers in the history of Scandinavian furniture.\u003c\/p\u003e\n\u003cp\u003eThe company's long collaboration with Arne Jacobsen produced some of the defining designs of the Danish modern movement. Fritz Hansen's expertise in experimental production allowed Jacobsen to develop increasingly ambitious furniture, from the moulded plywood Series 7 to the complex sculptural shell of the Egg.\u003c\/p\u003e\n\u003cp\u003eIntroduced in 1958, the Egg Chair became one of the most significant designs in the Fritz Hansen collection and remains closely associated with both the manufacturer and Jacobsen's architectural legacy.\u003c\/p\u003e\n\u003cp\u003eThis example retains its original Fritz Hansen manufacturer's label, confirming its provenance as an authentic production piece.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original black leather upholstery is beautifully preserved and has developed a rich natural patina through age and use. Subtle variation across the surface gives the leather depth while retaining the chair's original character.\u003c\/p\u003e\n\u003cp\u003eThe metal swivel base remains in excellent original vintage condition, showing only light traces of use consistent with age.\u003c\/p\u003e\n\u003cp\u003eThe chair also retains its original Fritz Hansen manufacturer's label.\u003c\/p\u003e\n\u003cp\u003eOverall, the Egg Chair is presented in excellent original vintage condition, with its materials, character and authenticity beautifully preserved.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 86 cm \/ 33.9 in\u003cbr\u003eDepth · 79 cm \/ 31.1 in\u003cbr\u003eHeight · 107 cm \/ 42.1 in\u003cbr\u003eSeat height · 37 cm \/ 14.6 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe Egg Chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe Egg Chair is ready to ship within 15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538970693969,"sku":"EAJFHD1950BGLM1","price":8890.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/18f40a9e-il_fullxfull.8290763201_oz1u.jpg?v=1786446486"},{"product_id":"vintage-teak-papercord-niels-otto-moller-model-83-dining-chairs-j-l-moller-mobelfabrik-denmark-1960s-set-of-6-midcentury-modern-furniture","title":"Model 83 Dining Chairs in Paper Cord \u0026 Teak by Niels Otto Møller for J.L. Møller Møbelfabrik, 1960s, Set of 6","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · 83\u003cbr\u003eDesigner · Niels Otto Møller\u003cbr\u003eManufacturer · J.L. Møller Møbelfabrik\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Solid teak, paper cord\u003cbr\u003eColour · Warm teak, natural beige\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eModel 83 is one of Niels Otto Møller's most refined dining chairs, an object where the sophistication lies almost entirely in proportion, material and craftsmanship.\u003c\/p\u003e\n\u003cp\u003eDesigned during the 1960s, the chair is built around a beautifully sculpted solid teak structure. The rear legs rise continuously into the backrest, while the gently curved upper rail follows the body and gives the chair its distinctive silhouette. Every transition has been softened and shaped, leaving almost no purely mechanical element visible.\u003c\/p\u003e\n\u003cp\u003eThe woven paper cord seat introduces a different material logic. Rather than adding conventional upholstery, the cord creates comfort through tension and repetition, keeping the construction visually light while introducing a natural texture against the smooth teak.\u003c\/p\u003e\n\u003cp\u003eThis relationship between polished timber and woven fibre is fundamental to the character of the chairs. The warm teak frames bring depth and sculptural presence, while the natural beige paper cord prevents the set from becoming visually heavy.\u003c\/p\u003e\n\u003cp\u003ePresented as a set of six, Model 83 becomes particularly architectural. The repeated curved backrests establish a quiet rhythm around a dining table, while the slender frames leave space between the chairs. It is a distinctly Danish approach to furniture, where craftsmanship is present everywhere but rarely asks for attention.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eNiels Otto Møller (1920–1982) was a Danish cabinetmaker and furniture designer whose work represents some of the highest levels of craftsmanship achieved during the Danish Modern period.\u003c\/p\u003e\n\u003cp\u003eTrained as a cabinetmaker, Møller founded his own company, J.L. Møller Møbelfabrik, in 1944. Rather than separating design from manufacturing, he developed his furniture in close relationship with the workshop and the craftsmen responsible for producing it.\u003c\/p\u003e\n\u003cp\u003eDining chairs became his particular speciality. Their apparent simplicity concealed an extraordinary level of attention to ergonomics, joinery, timber selection and finishing. Curves were shaped to meet the body, structural elements were reduced wherever possible, and transitions between components were treated almost sculpturally.\u003c\/p\u003e\n\u003cp\u003eMøller's work rarely depended on dramatic gestures. Its identity came instead from proportion and execution, qualities that become especially apparent when the furniture is handled and used.\u003c\/p\u003e\n\u003cp\u003eModel 83 reflects this philosophy clearly, combining an exceptionally refined timber frame with a simple woven seat to create a chair that feels both precise and remarkably natural.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eJ.L. Møller Møbelfabrik was founded by Niels Otto Møller in Denmark in 1944 and became internationally recognised for exceptionally crafted dining furniture.\u003c\/p\u003e\n\u003cp\u003eThe workshop maintained a strong connection to traditional Danish cabinetmaking even as its furniture reached an increasingly international market. Production remained focused on material quality, precise joinery and extensive hand-finishing.\u003c\/p\u003e\n\u003cp\u003eRather than producing a broad catalogue of unrelated objects, J.L. Møller became particularly associated with dining chairs. This specialisation allowed the company to refine their construction over decades and established a remarkably consistent design language.\u003c\/p\u003e\n\u003cp\u003eOriginal Møller chairs remain highly regarded because the design and manufacturing process were so closely connected. The elegance of the finished object is inseparable from the quality of the craftsmanship beneath it.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe complete set of six chairs is presented in excellent vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe solid teak frames are beautifully preserved, retaining their warm colour, natural grain and sculpted character.\u003c\/p\u003e\n\u003cp\u003eThe natural paper cord seating remains in very good condition, preserving both its tension and visual integrity.\u003c\/p\u003e\n\u003cp\u003eOverall, the six chairs present beautifully as a coherent set, with the timber and woven surfaces retaining the material warmth expected from vintage Danish furniture.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 50 cm \/ 19.7 in\u003cbr\u003eDepth · 50 cm \/ 19.7 in\u003cbr\u003eHeight · 80 cm \/ 31.5 in\u003cbr\u003eSeat height · 46 cm \/ 18.1 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of six Model 83 Dining Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set of six Model 83 Dining Chairs is ready to ship within 5–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538970792273,"sku":"CNOMD1960BBTP6","price":5290.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/fed8ba88-il_fullxfull.8287438485_jks8.jpg?v=1786446488"},{"product_id":"black-leather-fk6727-tulip-chairs-chairs-preben-fabricius-jorgen-kastholm-kill-international-1960s-germany-set-of-2-mid-century-modern-icon","title":"FK6727 Tulip Chairs in Black Leather \u0026 Steel by P.Fabricius \u0026 J.Kastholm for Kill International, 1960s, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · FK6727 Tulip Chair\u003cbr\u003eDesigners · Preben Fabricius \u0026amp; Jørgen Kastholm\u003cbr\u003eManufacturer · Kill International\u003cbr\u003eOrigin · Germany\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Mid-Century Modern \/ European Modern\u003cbr\u003eMaterials · Leather, steel\u003cbr\u003eColour · Black, polished steel\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe FK6727 Tulip Chair is one of the most sculptural designs created by Preben Fabricius and Jørgen Kastholm, combining an enveloping leather seat with an exceptionally precise pedestal structure.\u003c\/p\u003e\n\u003cp\u003eDesigned during the 1960s, the chair abandons the conventional arrangement of four legs in favour of a single central support. A polished steel base rises from the floor to carry the upholstered shell, separating the seat visually from its structure and giving the chair its characteristic floating appearance.\u003c\/p\u003e\n\u003cp\u003eThe contrast between the two elements is fundamental to the design. The metal base is geometric, reflective and architectural, while the black leather seat is soft, curved and shaped around the body. Fabricius and Kastholm allowed these different materials to retain their individual identities rather than attempting to disguise how the chair is constructed.\u003c\/p\u003e\n\u003cp\u003eViewed from different angles, the FK6727 changes considerably. From the front it feels generous and almost enveloping, while its profile reveals how little structure is actually required to support the seat. This balance between visual weight and structural economy is characteristic of the designers' work.\u003c\/p\u003e\n\u003cp\u003ePresented as a pair, the chairs create a particularly strong composition. Their dark leather shells appear almost suspended above the polished bases, giving the set a presence that feels simultaneously luxurious, industrial and remarkably restrained.\u003c\/p\u003e\n\u003ch3\u003eDesigners\u003c\/h3\u003e\n\u003cp\u003ePreben Fabricius (1931–1984) and Jørgen Kastholm (1931–2007) were Danish designers whose collaboration produced some of the most sophisticated furniture of European postwar modernism.\u003c\/p\u003e\n\u003cp\u003eBoth were originally trained as cabinetmakers before studying interior architecture, giving them an unusually complete understanding of furniture from both the craft and architectural perspectives.\u003c\/p\u003e\n\u003cp\u003eThey began working together during the 1960s and developed a design language characterised by rigorous geometry, precise metal structures and carefully selected natural materials. Leather and steel became particularly important to their work, allowing them to combine industrial construction with tactile comfort.\u003c\/p\u003e\n\u003cp\u003eRather than following the predominantly wooden vocabulary associated with much Danish furniture of the period, Fabricius and Kastholm looked increasingly towards international modernism. Their furniture frequently explored polished and brushed metal, pedestal structures, suspended surfaces and clearly expressed construction.\u003c\/p\u003e\n\u003cp\u003eTheir collaboration with Kill International provided the manufacturing expertise necessary to realise these technically demanding designs, resulting in some of the partnership's most recognisable furniture.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eKill International was a German furniture manufacturer particularly associated with sophisticated modernist furniture produced during the 1960s and 1970s.\u003c\/p\u003e\n\u003cp\u003eThe company became closely connected with Preben Fabricius and Jørgen Kastholm, translating their precise designs into production through advanced metalworking, upholstery and exceptionally controlled manufacturing.\u003c\/p\u003e\n\u003cp\u003eThis collaboration allowed the designers to move beyond traditional Scandinavian cabinetmaking and explore furniture built around steel structures, leather surfaces and industrial production methods.\u003c\/p\u003e\n\u003cp\u003eThe resulting pieces established a distinctive position between Scandinavian restraint and German engineering precision. Today, furniture produced by Kill International during this period remains particularly sought after for the quality of its construction and the clarity of its modernist design.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eBoth chairs are presented in excellent vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe black leather upholstery remains beautifully preserved, retaining its softness, deep colour and natural material character.\u003c\/p\u003e\n\u003cp\u003eThe polished steel pedestal bases are equally well preserved, showing only minimal traces of age and use consistent with their vintage character.\u003c\/p\u003e\n\u003cp\u003eOverall, the pair presents beautifully, with the relationship between the dark leather shells and sculptural metal bases particularly well preserved.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 70 cm \/ 27.6 in\u003cbr\u003eDepth · 70 cm \/ 27.6 in\u003cbr\u003eHeight · 73 cm \/ 28.7 in\u003cbr\u003eSeat height · 43 cm \/ 16.9 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two FK6727 Tulip Lounge Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set of two FK6727 Tulip Lounge Chairs is ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538970956113,"sku":"OFKKG1960SLGB2","price":8290.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/43bd3303-il_fullxfull.7781195944_1f7x.jpg?v=1786446490"},{"product_id":"vintage-black-leather-plywood-gravity-balans-lounge-chair-peter-opsvik-varier-1990s-norway-scandinavian-mid-century-modern-minimalist-icon-1","title":"Gravity Balans Lounge Chair in Black Leather \u0026 Brown Plywood by Peter Opsvik for Varier, 1990s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Gravity Balans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Peter Opsvik\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Varier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Norway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1990s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Postmodern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent beech plywood, leather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Brown, black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGravity Balans does not really have a single way of being a chair. Its long bentwood runners allow the entire structure to move with the body, shifting from an upright seat into a reclined position until the legs rise above the heart and the sitter seems almost weightless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOpsvik designed Gravity Balans as a challenge to the idea that sitting should mean remaining still. The chair rocks, tilts and changes its relationship with gravity as the body moves through it. Bent beech creates one continuous sweeping structure while black leather marks the points where the body meets the chair. It looks unusual because the idea behind it is unusual: furniture should adapt to us, rather than asking us to adapt to furniture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePeter Opsvik (1939–2024) spent much of his career questioning something most designers had simply accepted: the way people sit. Rather than searching for one perfect posture, he believed the body needed movement, variation and the freedom to continually change position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat idea produced some of Norway's most unconventional furniture. Chairs became rocking structures, kneeling supports, saddles and balancing devices, often using bent wood to follow movements that conventional seating tried to prevent. Gravity Balans is perhaps the most complete expression of that thinking — less a fixed chair than an instrument for exploring what sitting could become.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eVarier grew from the Norwegian tradition of ergonomic seating, building its identity around furniture designed for movement rather than static posture. Its collection brought together some of the country's most experimental ideas about the relationship between furniture and the human body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePeter Opsvik's designs became central to that world. Gravity Balans embodies the philosophy particularly clearly: bent wood, carefully positioned supports and a rocking structure work together to create a chair whose form changes continuously with the person using it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bent beech plywood frame and black leather seating remain original and are preserved in excellent vintage condition. Both the wooden structure and leather show only minimal traces of age and previous use, leaving the chair in a nearly new vintage state. As with any authentic vintage piece, subtle traces of time may be present, adding to its history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 73 cm \/ 28.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 135 cm \/ 53.2 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 120 cm \/ 47.3 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 46 cm \/ 18.1 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe angle of the chair changes with the sitting position, allowing the body to move between upright and deeply reclined configurations.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair can be ready to ship within 5 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538971447633,"sku":"LPOVN1990BBLP1","price":4230.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/BalansBrown1.jpg?v=1787748050"},{"product_id":"vintage-wicker-steel-poul-kjaerholm-pk22-lounge-chair-fritz-hansen-denmark-1950s-set-of-2-scandinavian-mid-century-modern-furniture-design","title":"PK22 Lounge Chairs in Brushed Steel \u0026 Wicker by Poul Kjærholm for Fritz Hansen, 1950s, Set of 2","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · PK22\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Poul Kjærholm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Fritz Hansen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Denmark\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1950s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Danish Modern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Brushed stainless steel, wicker\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Steel grey, beige\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePK22 is almost nothing, and that is precisely what makes it extraordinary. Two pieces of steel rise from the floor and fold beneath a thin surface of woven wicker, leaving the chair suspended between structure and air. There is no visual weight to hide behind. Every line has to be exactly where it belongs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eKjærholm designed PK22 in 1956, reducing the lounge chair to a few essential relationships: hard steel against woven fibre, geometry against the body, industrial precision against something made slowly by hand. In wicker, that contrast becomes particularly beautiful. The seat brings warmth and imperfection to the disciplined steel beneath it. As a pair, the chairs feel almost architectural, two quiet structures that change with the light around them.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePoul Kjærholm (1929–1980) trained as a cabinetmaker before studying at the Danish School of Arts and Crafts in Copenhagen. Yet while many of his contemporaries built the identity of Danish modernism around wood, Kjærholm became fascinated by steel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHe treated it not as a cold industrial shortcut, but as a material worthy of the same attention traditionally given to timber. Steel, leather, wicker, canvas and stone became parts of a remarkably restrained vocabulary. Designed in 1956, PK22 distilled that thinking into one of his purest objects, a chair in which almost every unnecessary element had disappeared.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFritz Hansen began in Copenhagen in 1872 and grew from a cabinetmaking workshop into one of the defining manufacturers of Danish modern furniture. Its history became intertwined with some of the most important designers of the 20th century, translating experimental ideas into objects that travelled far beyond Denmark.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIn the 1980s, Fritz Hansen took over the production of Poul Kjærholm's collection, preserving the precision and material sensitivity on which his furniture depends. PK22 remains one of the clearest expressions of that legacy, still balancing industrial structure with the intimacy of materials shaped by hand.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe brushed stainless steel frames remain original and are beautifully preserved in excellent vintage condition. The handwoven natural wicker seats remain firm and intact, carrying a warm, even patina developed through age and previous use. As with any authentic vintage pieces, subtle traces of time may be present, adding to their history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 62 cm \/ 24.4 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 63 cm \/ 24.8 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 71 cm \/ 28.0 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 33 cm \/ 13.0 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538971611473,"sku":"LPKCD1960GBSW2","price":7950.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/7b7e70d0-il_fullxfull.6869094454_e7rh.jpg?v=1786446491"},{"product_id":"beige-leather-brown-wood-guldhoj-folding-stool-poul-hundevad-1950s-denmark-original-scandinavian-mid-century-modern-minimal-furniture-icon","title":"Guldhøj Folding Stool by Poul Hundevad for Hundevad \u0026 Co, 1950s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Guldhøj\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Poul Hundevad\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Hundevad \u0026amp; Co.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Denmark\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1950s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Danish Modern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Solid wood, leather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Beige, black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGuldhøj looks almost too elemental to belong to the 20th century. Two pieces of wood cross beneath a suspended leather seat, folding together with a gesture that feels more discovered than designed. There is no decoration and almost no excess material. Its beauty comes entirely from structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd in a way, the stool really does belong to another time. Hundevad based the design on an ancient Danish folding stool discovered in a Bronze Age burial mound at Guldhøj. Reimagined in the 1950s, the archaeological object became something quietly modern. Thousands of years collapse into a few pieces of wood and leather, turning one of Denmark's oldest furniture forms into one of its most timeless.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePoul Hundevad (1917–2011) was trained as a cabinetmaker in Denmark, where craftsmanship was understood not simply as a way of making furniture, but as a way of thinking about it. His work belongs to the golden age of Danish modernism, yet often looked further back for its ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Guldhøj Stool is perhaps the clearest expression of that instinct. Rather than inventing an entirely new form, Hundevad returned to an ancient Danish object and recognised something unexpectedly contemporary within it. Through careful proportions, honest materials and extraordinary restraint, history became modern design.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHundevad \u0026amp; Co. grew around Poul Hundevad's designs during one of the most fertile periods of Danish furniture making. Its production was rooted in traditional cabinetmaking, precision and a respect for natural materials, allowing even remarkably simple pieces to feel considered down to their smallest details.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Guldhøj Stool became one of the workshop's defining objects, bringing an ancient Danish form into modern homes and demonstrating how little was needed to create something enduring.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe solid wooden frame and black leather seat remain original and are preserved in excellent, nearly new vintage condition. The materials show only minimal traces of age and previous use. As with any authentic vintage piece, subtle signs of time may be present, adding to its history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 60 cm \/ 23.6 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 38 cm \/ 15.0 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 44 cm \/ 17.3 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe folding stool is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe folding stool can be ready to ship within 10-15 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538971677009,"sku":"SPH1950BBWL1","price":4971.12,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/14402bda-il_fullxfull.7264312218_hh4j.jpg?v=1786446490"},{"product_id":"vintage-black-leather-plywood-kroken-lounge-chair-by-ake-fribytter-nelo-mobel-sweden-1970s-set-of-2-original-scandinavian-modern-design-icon","title":"Kroken Lounge Chairs in Black Leather \u0026 Plywood by Åke Fribytter for Nelo Möbel, 1970s, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Kroken\u003cbr\u003eDesigner · Åke Fribytter\u003cbr\u003eManufacturer · Nelo Möbel\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Swedish Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Natural wood, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Kroken Lounge Chair is a particularly sculptural expression of Swedish furniture design from the 1970s.\u003c\/p\u003e\n\u003cp\u003eDesigned by Åke Fribytter for Nelo Möbel, the chair is built around a sweeping laminated plywood structure that almost completely defines its character. Rather than separating legs, arms and back into conventional components, the frame moves continuously around the body, creating an expressive profile from a relatively simple construction.\u003c\/p\u003e\n\u003cp\u003eWithin this wooden architecture, generous black leather cushions provide the softness. The contrast is fundamental to the design: rigid plywood against relaxed upholstery, pale natural wood against deep black leather, structure against comfort.\u003c\/p\u003e\n\u003cp\u003eThe low seating position and broad proportions give the Kroken an unmistakably relaxed character, while the exposed frame keeps the composition visually open. From the side, the curved plywood becomes particularly prominent, giving the chair an almost graphic silhouette.\u003c\/p\u003e\n\u003cp\u003ePresented as a pair, the repeated bentwood profiles create a strong architectural composition. They are substantial lounge chairs, but the openness of their construction prevents them from feeling visually heavy.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eÅke Fribytter was a Swedish furniture designer active during the second half of the 20th century.\u003c\/p\u003e\n\u003cp\u003eHis work is most closely associated with Nelo Möbel and with the Kroken Lounge Chair, introduced during the 1970s.\u003c\/p\u003e\n\u003cp\u003eThe Kroken reflects a broader Scandinavian interest during the period in laminated wood and flexible seating systems. Rather than concealing the chair's engineering beneath upholstery, Fribytter made the bentwood structure one of its defining visual elements.\u003c\/p\u003e\n\u003cp\u003eThe result combines the comfort expected from a generous lounge chair with the structural clarity characteristic of Scandinavian modern furniture.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eNelo Möbel is a Swedish furniture manufacturer particularly associated with Scandinavian lounge furniture and sophisticated bentwood construction.\u003c\/p\u003e\n\u003cp\u003eThe company developed furniture in which ergonomics and material engineering played a central role, frequently combining laminated wooden structures with leather upholstery.\u003c\/p\u003e\n\u003cp\u003eIts collaboration with Åke Fribytter produced the Kroken, one of the designs most strongly associated with the Nelo name and a distinctive example of Swedish 1970s furniture.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eBoth chairs retain their original bent plywood structures and original black leather upholstery.\u003c\/p\u003e\n\u003cp\u003eThe wooden frames remain in good vintage condition, preserving their natural tone and visible grain while showing light traces of age and use.\u003c\/p\u003e\n\u003cp\u003eThe black leather cushions are equally well preserved, with subtle signs of wear consistent with their vintage character.\u003c\/p\u003e\n\u003cp\u003eOverall, the pair is presented in good original vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 95 cm \/ 37.5 in\u003cbr\u003eDepth · 78 cm \/ 30.7 in\u003cbr\u003eHeight · 85 cm \/ 33.5 in\u003cbr\u003eSeat height · 35 cm \/ 13.8 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two Kroken Lounge Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set is ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972135761,"sku":"AAFNMS1970BYLP2","price":3780.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/0c5f4fd0-il_fullxfull.7825644015_1gah.jpg?v=1786446487"},{"product_id":"vintage-stainless-steel-wicker-pk24-chaise-lounge-poul-kjaerholm-fritz-hansen-denmark-1960s-scandinavian-mid-century-modern-furniture-design","title":"PK24 Chaise Lounge in Chrome Steel \u0026 Wicker by Poul Kjærholm for Fritz Hansen, 1960s","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex min-h-0 grow flex-col text-sm\"\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · PK24\u003cbr\u003eDesigner · Poul Kjærholm\u003cbr\u003eManufacturer · Fritz Hansen\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Stainless steel, wicker\u003cbr\u003eColour · Mirror grey, natural beige\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003ePK24 seems almost unwilling to become a chair. Two arcs of wicker and steel meet without being fixed together, allowing the body to settle somewhere between them. The seat rests freely on the frame, held in place by gravity alone. Kjærholm called it his Hammock Chair.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1965, its long curve carries an unexpected memory of the Rococo chaise longue, reduced until almost nothing remains but structure, material and the position of a body at rest. Cold steel sits beneath handwoven wicker. One is exact, the other imperfect. Together they create something remarkably quiet, a place to stretch out, disappear for an afternoon and let gravity do the rest.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003ePoul Kjærholm (1929–1980) began as a cabinetmaker, but his imagination quickly moved beyond the traditional language of wood. At the Danish School of Arts and Crafts in Copenhagen, he became fascinated by materials that Scandinavian furniture had largely left to industry, particularly steel.\u003c\/p\u003e\n\u003cp\u003eHe treated it with the sensitivity another designer might reserve for timber, interested in the way a surface reflected light, how two elements touched and how little material was actually necessary. His furniture became increasingly precise, but never cold. Steel met leather, canvas, marble and wicker, allowing industrial structure and natural imperfection to exist quietly beside one another.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFritz Hansen began in Copenhagen in 1872 and grew from a cabinetmaking workshop into one of the defining manufacturers of Danish modern furniture. Across generations, collaborations with designers such as Arne Jacobsen helped turn experimental ideas into objects that travelled far beyond Denmark.\u003c\/p\u003e\n\u003cp\u003eIn the 1980s, Fritz Hansen acquired the rights to Poul Kjærholm's collection. His restrained world of steel, leather, wicker and stone became part of a company already deeply connected to the history of Danish modernism, allowing designs such as PK24 to continue beyond the lifetime of their creator.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe brushed stainless-steel frame remains beautifully preserved in excellent vintage condition. The woven wicker seat retains its natural character and shows a light, even patina developed through age and previous use. As with any authentic vintage piece, subtle traces of time may be present, adding to the history and individual character of the chaise longue.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 65 cm \/ 25.5 in\u003cbr\u003eDepth · 150 cm \/ 59.0 in\u003cbr\u003eHeight · 88 cm \/ 34.6 in\u003cbr\u003eSeat height · 40 cm \/ 15.7 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe chaise longue is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe chaise longue can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-auto grid\"\u003e\n\u003cdiv class=\"col-start-1 row-start-1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"sticky bottom-(--scroll-root-safe-area-inset-bottom,0px) col-start-1 row-start-1 self-end\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"min-h-9 pt-2 text-center text-xs text-token-text-tertiary [view-transition-name:var(--vt-disclaimer)] pb-4 relative overflow-hidden @w-sm\/main:px-[60px]\"\u003e\n\u003cdiv class=\"text-base mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972332369,"sku":"LPKFH1960MBSW1","price":16930.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/94a70a0f-il_fullxfull.7366816672_huht.jpg?v=1786446495"},{"product_id":"vintage-black-leather-chrome-steel-jetson-lounge-chairs-bruno-mathsson-dux-1960s-set-of-2-sweden-scandinavian-mid-century-modern-minimalist","title":"Jetson Lounge Chairs in Black Leather \u0026 Chrome by Bruno Mathsson for DUX, 1969, Set of 2","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Jetson\u003cbr\u003eDesigner · Bruno Mathsson\u003cbr\u003eManufacturer · DUX\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1969\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Chrome-plated steel, leather\u003cbr\u003eColour · Chrome, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eJetson looks like the moment Scandinavian modernism discovered the future. A thin shell of black leather floats inside polished steel, balanced above a swivel base with almost nothing visually connecting the body to the floor. It is recognisably a lounge chair, but one imagined for a different kind of life.\u003c\/p\u003e\n\u003cp\u003eMathsson designed Jetson in 1969, after decades spent studying how furniture could follow the human body. By then, bent wood had given way to steel, and traditional craftsmanship was meeting the optimism of the Space Age. Even the name looked forward. In black leather and mirror-like chrome, these two chairs still carry that strange confidence of the late 1960s, when tomorrow seemed lighter, faster and perhaps a little more glamorous.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eBruno Mathsson (1907–1988) was born into a family of cabinetmakers in the small Swedish town of Värnamo. Wood was already part of his world. What interested him was how far furniture could move beyond the conventions he had inherited.\u003c\/p\u003e\n\u003cp\u003eFor decades he studied the human body at rest, experimenting first with laminated wood, canvas and webbing before turning increasingly toward steel and leather. The materials changed, but the question remained the same: how little chair was necessary to support a person comfortably? Jetson became one of his most radical answers, translating a lifetime of ergonomic thinking into the technological language of the late 1960s.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eDUX began in Malmö in 1926 with comfort at the centre of its thinking. As Scandinavian design evolved, the company became a natural partner for designers interested not only in how furniture looked, but in how engineering could change the experience of sitting.\u003c\/p\u003e\n\u003cp\u003eIts collaboration with Bruno Mathsson brought together two remarkably compatible worlds. Mathsson supplied decades of experimentation with the human body, while DUX provided the technical precision to turn those ideas into production. Jetson emerged from that relationship as something distinctly Swedish yet unmistakably international, a chair designed for the modern home as it was imagined at the edge of the 1970s.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original chrome-plated steel structures are beautifully preserved and have been carefully polished to retain their mirror finish. The black leather upholstery has been refreshed while remaining faithful to the original character of the design. Both lounge chairs are preserved in excellent vintage condition, with subtle traces of age and previous use possible as part of their history.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 67 cm \/ 26.3 in\u003cbr\u003eDepth · 80 cm \/ 31.5 in\u003cbr\u003eHeight · 94 cm \/ 37.0 in\u003cbr\u003eSeat height · 38 cm \/ 15.0 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two lounge chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972299601,"sku":"LBMJD1960BMLS2","price":8830.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/fa9c0801-il_fullxfull.7389296269_2hmm.jpg?v=1786446495"},{"product_id":"vintage-black-leather-chrome-alias-dining-chairs-giandomenico-belotti-alias-1980s-set-of-4-modernist-mid-century-modern-minimalist-design","title":"Alias Dining Chairs in Black Leather \u0026 Chrome by Giandomenico Belotti for Alias, 1980s, Set of 4","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Alias Chair\u003cbr\u003eDesigner · Giandomenico Belotti\u003cbr\u003eManufacturer · Alias\u003cbr\u003eOrigin · Italy\u003cbr\u003ePeriod · 1980s\u003cbr\u003eStyle · Italian Modern \/ Minimalist\u003cbr\u003eMaterials · Chromed tubular steel, leather\u003cbr\u003eColour · Chrome, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Alias Chair is Giandomenico Belotti's exercise in reducing a chair to little more than line, surface and proportion.\u003c\/p\u003e\n\u003cp\u003eDesigned at the beginning of his collaboration with Alias in 1979, the chair reflects a distinctly Italian approach to industrial minimalism. A slender tubular steel structure establishes the geometry, while the black leather seat and backrest are integrated with almost no visual interruption.\u003c\/p\u003e\n\u003cp\u003eThere is very little material here, and that restraint is precisely what gives the chair its presence. The chrome frame appears almost like a continuous line drawn around the body, while the dark leather creates two simple planes within it. Structure and seating remain visually separate but perfectly balanced.\u003c\/p\u003e\n\u003cp\u003eUnlike much of the softer Scandinavian furniture of the preceding decades, the Alias Chair belongs to a more architectural generation of European design. Its character comes from precision, repetition and industrial materials rather than sculptural mass or decoration.\u003c\/p\u003e\n\u003cp\u003eAs a set of four, the chairs become particularly effective. Repeated chrome lines create a graphic rhythm around a table, while their open construction keeps the composition remarkably light.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eGiandomenico Belotti (1922–2004) was an Italian architect and designer whose work crossed architecture, urban planning, restoration, research and industrial design.\u003c\/p\u003e\n\u003cp\u003eEducated in architecture in Venice, Belotti approached furniture with an architect's interest in structure, proportion and economy of means.\u003c\/p\u003e\n\u003cp\u003eHis collaboration with Alias began in 1979 and produced the chair that became closely associated with both his name and the emerging identity of the company. Its radical simplicity reflected a broader shift in Italian furniture toward increasingly lightweight, technically precise and industrial forms.\u003c\/p\u003e\n\u003cp\u003eBelotti's work for Alias remains a particularly clear example of how minimal construction can create a strong and enduring visual identity.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eAlias was founded in Italy in 1979 and quickly established itself through an experimental approach to materials, technology and lightweight furniture.\u003c\/p\u003e\n\u003cp\u003eRather than relying on traditional furniture typologies, the company developed a language closely connected to architecture and industrial production. Steel, aluminium and other technically demanding materials became central to an aesthetic defined by precision and structural clarity.\u003c\/p\u003e\n\u003cp\u003eGiandomenico Belotti's early collaboration with Alias helped establish this identity. His stripped-back seating designs became closely connected with the company's philosophy and remain among the most recognisable expressions of its minimalist approach.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eAll four chairs remain in excellent original vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe chromed tubular steel structures are beautifully preserved, retaining their reflective finish with only light traces of age and use.\u003c\/p\u003e\n\u003cp\u003eThe original black leather seats and backrests are equally well preserved and have developed a subtle natural patina consistent with their vintage character.\u003c\/p\u003e\n\u003cp\u003eOverall, the set presents exceptionally well while retaining its original materials and finish.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 48 cm \/ 18.9 in\u003cbr\u003eDepth · 45 cm \/ 17.7 in\u003cbr\u003eHeight · 81 cm \/ 31.9 in\u003cbr\u003eSeat height · 44 cm \/ 17.3 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of four Alias Dining Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set is ready to ship within 10 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972266833,"sku":"CBAI1980MBCL4","price":3490.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/ce99d542-il_fullxfull.7392389871_eljl.jpg?v=1786446495"},{"product_id":"vintage-pk61-coffee-table-by-poul-kjaerholm-fritz-hansen-denmark-1960s-glass-steel-frame-scandinavian-modern","title":"PK61 Coffee Table in Brushed Steel \u0026 Glass by Poul Kjærholm for Fritz Hansen, 1960s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"fbskMG_root markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · PK61\u003cbr\u003eDesigner · Poul Kjærholm\u003cbr\u003eManufacturer · Fritz Hansen\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Brushed steel, glass\u003cbr\u003eColour · Brushed steel, clear\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003ePK61 is almost an exercise in removing everything a table does not need. Four pieces of steel meet to form a precise square beneath a sheet of glass, leaving structure, surface and the space between them completely exposed. There is nowhere for a detail to hide.\u003c\/p\u003e\n\u003cp\u003eKjærholm designed PK61 in 1956, treating the coffee table less like furniture and more like a small piece of architecture. The transparent top allows the steel beneath it to remain visible, while the low proportions bring the entire composition close to the floor. Glass almost disappears. Steel becomes the drawing. What remains is an object of remarkable stillness, quiet enough to live with almost anything around it.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003ePoul Kjærholm (1929–1980) trained as a cabinetmaker before studying at the Danish School of Arts and Crafts in Copenhagen. Yet while many of his contemporaries built the identity of Danish modernism around wood, Kjærholm became fascinated by steel.\u003c\/p\u003e\n\u003cp\u003eHe treated it not as a cold industrial shortcut, but as a material worthy of the same attention traditionally given to timber. Steel, leather, wicker, canvas, glass and stone became parts of a remarkably restrained vocabulary. PK61 is one of the purest expressions of that thinking, reducing the table until material, proportion and construction become almost indistinguishable from the design itself.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFritz Hansen began in Copenhagen in 1872 and grew from a cabinetmaking workshop into one of the defining manufacturers of Danish modern furniture. Its history became intertwined with some of the most important designers of the 20th century, translating experimental ideas into objects that travelled far beyond Denmark.\u003c\/p\u003e\n\u003cp\u003eIn the 1980s, Fritz Hansen took over the production of Poul Kjærholm's collection, preserving the precision and material sensitivity on which his furniture depends. PK61 remains one of the clearest expressions of that legacy, an object whose apparent simplicity depends on extraordinary control of proportion, material and detail.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original removable glass top is beautifully preserved in great vintage condition, showing only light traces of age and previous use. The steel frame has been carefully cleaned while retaining its natural patina and subtle marks developed over time. As with any authentic vintage piece, these traces form part of the table's history and individual character.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 80 cm \/ 31.5 in\u003cbr\u003eDepth · 80 cm \/ 31.5 in\u003cbr\u003eHeight · 32 cm \/ 12.6 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe coffee table is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe coffee table can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972692817,"sku":"TPKFH1960GSGG1","price":4270.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/d2ef43e6-il_fullxfull.7246738344_j61h.jpg?v=1786446494"},{"product_id":"vintage-brown-leather-steel-highback-falcon-chairs-sigurd-ressell-vatne-mobler-1970s-norway-set-of-2-scandinavian-mid-century-modern-design","title":"Highback Falcon Lounge Chairs in Brown Leather \u0026 Chrome by Sigurd Ressell for Vatne Møbler, 1970s, Set of 2","description":"\u003cdiv class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\"\u003e\n\u003cdiv class=\"flex min-h-0 grow flex-col text-sm\"\u003e\n\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Highback Falcon\u003cbr\u003eDesigner · Sigurd Ressell\u003cbr\u003eManufacturer · Vatne Møbler\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern\u003cbr\u003eMaterials · Chrome-plated steel, leather\u003cbr\u003eColour · Mirror grey, brown\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eFew Scandinavian chairs capture the relaxed experimentation of the 1970s quite like Sigurd Ressell's Falcon.\u003c\/p\u003e\n\u003cp\u003eRather than constructing a conventional upholstered chair, Ressell suspended the seating within a minimal supporting structure, allowing the leather to respond naturally to the body. In this early steel version, the idea becomes particularly clear. A precise chrome-plated frame carries generous brown leather cushions, creating an unusual tension between industrial rigidity and almost hammock-like comfort.\u003c\/p\u003e\n\u003cp\u003eThe highback proportions give the chairs an especially commanding silhouette. Presented here as a matching pair with original leather and steel, they retain the material character and understated confidence that made the Falcon an international success.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eSigurd Ressell (1920–2010) was one of the important figures of postwar Norwegian furniture design, combining a cabinetmaker's understanding of construction with a willingness to experiment with new structures and materials.\u003c\/p\u003e\n\u003cp\u003eAfter studying carpentry at the Norwegian National Academy of Craft \u0026amp; Art Industry, Ressell worked with Rastad \u0026amp; Relling from 1948 to 1968. During this period, he developed furniture ranging from the Bambi series to designs for the Norwegian Parliament and increasingly explored the possibilities of steel and suspended seating.\u003c\/p\u003e\n\u003cp\u003eIn 1968, Ressell became chief designer at Vatne Møbler. His defining design followed soon afterwards. Originally called Blank Vals, the Falcon Chair entered production in 1971 and rapidly became an international success. Its suspended construction offered an entirely different interpretation of the lounge chair: flexible, visually light and exceptionally comfortable.\u003c\/p\u003e\n\u003cp\u003eThe Falcon would become Ressell's most recognisable work and one of the enduring icons of 1970s Norwegian design.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eVatne Møbler was founded in 1946 by Knut Sæter in Vatne, Sunnmøre, Norway.\u003c\/p\u003e\n\u003cp\u003eThe company became known for high-quality upholstered furniture and collaborations with important Norwegian designers including Fredrik A. Kayser and Sigurd Ressell. Its combination of traditional craftsmanship and modern production helped bring Norwegian furniture to an increasingly international audience during the postwar decades.\u003c\/p\u003e\n\u003cp\u003eThe Falcon became one of Vatne Møbler's greatest successes and remains closely associated with the company's contribution to Scandinavian design history.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eBoth chairs retain their original chrome-plated steel structures and original brown leather upholstery.\u003c\/p\u003e\n\u003cp\u003eThe steel remains beautifully preserved, while the leather carries the natural character expected from an authentic vintage example. Overall, both chairs are in excellent original vintage condition, preserving the materials and presence of the period.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 78 cm \/ 30.7 in\u003cbr\u003eDepth · 78 cm \/ 30.7 in\u003cbr\u003eHeight · 94 cm \/ 37 in\u003cbr\u003eSeat height · 38 cm \/ 14.9 in\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set of two lounge chairs is ready to ship within 10 business days.\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-auto grid\"\u003e\n\u003cdiv class=\"col-start-1 row-start-1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"sticky bottom-(--scroll-root-safe-area-inset-bottom,0px) col-start-1 row-start-1 self-end\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"min-h-9 pt-2 text-center text-xs text-token-text-tertiary [view-transition-name:var(--vt-disclaimer)] pb-4 relative overflow-hidden @w-sm\/main:px-[60px]\"\u003e\n\u003cdiv class=\"text-base mx-auto [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972758353,"sku":"LSRVN1970BMLS2","price":9930.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/e172e769-il_fullxfull.7330792230_eonk.jpg?v=1786446495"},{"product_id":"steel-cognac-leather-ej5-corona-lounge-chair-poul-m-volther-erik-jorgensen-mobelfabrik-denmark-1960s-set-of-2-scandinavian-modern-furniture","title":"EJ5 Corona Lounge Chairs in Cognac Leather \u0026 Steel by Poul M. Volther for Erik Jørgensen, 1960s, Set of 2","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · EJ5 Corona\u003cbr\u003eDesigner · Poul M. Volther\u003cbr\u003eManufacturer · Erik Jørgensen Møbelfabrik\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Chromed steel, leather\u003cbr\u003eColour · Cognac, chrome grey\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eCorona breaks the body into pieces. Four upholstered forms appear to float one above another, following the spine without ever becoming a conventional backrest. Beneath them, a slender steel structure bends around the chair like an orbit. There is almost nothing connecting the two visually.\u003c\/p\u003e\n\u003cp\u003ePoul M. Volther developed the idea in the early 1960s, reportedly finding inspiration in the structure of the human ribcage and spine. What emerged was unusually futuristic for Danish furniture of the period. Where Scandinavian modernism often disappeared quietly into the home, Corona demanded to be looked at. In cognac leather and polished steel, this pair still feels like an optimistic vision of a future imagined more than sixty years ago.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003ePoul M. Volther (1923–2001) belonged to the generation of Danish designers for whom experimentation remained inseparable from craftsmanship. Trained as a cabinetmaker before studying at the Copenhagen School of Arts and Crafts, he inherited the functional discipline of Danish modernism but was never limited by its familiar forms.\u003c\/p\u003e\n\u003cp\u003eHis work explored how furniture could respond more directly to the human body. Corona became the most radical expression of that thinking. Rather than designing another upholstered shell, Volther separated the areas of support and allowed space to exist between them. The body itself became part of the composition.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eErik Jørgensen Møbelfabrik began in Svendborg in 1954 as the workshop of master upholsterer Erik Jørgensen. Its world was built around upholstery, comfort and the belief that technically difficult furniture could still possess the precision and longevity associated with traditional Danish craftsmanship.\u003c\/p\u003e\n\u003cp\u003eThat expertise made the company a natural partner for Corona. Volther's unusual sequence of individually upholstered elements demanded considerable technical control, transforming what could have remained a sculptural experiment into furniture capable of being lived with.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe chromed steel frames and cognac leather upholstery remain beautifully preserved in excellent vintage condition. The leather retains its warmth and tactile character, while the metal structures remain clean and visually striking. Only very subtle traces of age and previous use may be present, consistent with carefully preserved authentic vintage furniture.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 87 cm \/ 34.2 in\u003cbr\u003eDepth · 80 cm \/ 31.5 in\u003cbr\u003eHeight · 98 cm \/ 38.6 in\u003cbr\u003eSeat height · 42 cm \/ 16.5 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972889425,"sku":"LPVEJD1960GCSL2","price":12610.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/9ce60ec4-il_fullxfull.7326914986_juv3.jpg?v=1786446499"},{"product_id":"vintage-black-leather-plywood-highback-siesta-chairs-ottoman-ingmar-relling-norway-1960s-set-of-3-scandinavian-mid-century-modern-furniture","title":"Siesta Lounge Chairs \u0026 Ottoman in  Black Leather \u0026 Plywood by Ingmar Relling for Westnofa, 1970s, Set of 3","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Siesta, High-Back\u003cbr\u003eDesigner · Ingmar Relling\u003cbr\u003eManufacturer · Westnofa\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Norwegian Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe high-back Siesta with its accompanying ottoman presents Ingmar Relling's most celebrated design as a complete three-piece lounge composition.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1965, the Siesta was based on a remarkably economical structural idea. Rather than constructing a conventional upholstered armchair, Relling created a curved laminated wood frame from which the seating surface could be suspended. The structure provides strength and flexibility, while the leather follows the body without adding unnecessary volume.\u003c\/p\u003e\n\u003cp\u003eThe high-back version extends this principle into a taller and more enveloping silhouette. Its elongated backrest provides additional support while emphasising the sweeping movement of the bentwood frame. The accompanying ottoman continues exactly the same structural language, extending the relaxed sitting position without introducing a visually separate object.\u003c\/p\u003e\n\u003cp\u003eFinished entirely in black, this set has an unusually graphic and architectural presence. The dark bentwood structures and black leather surfaces visually merge, allowing the curved profiles and suspended construction to become the defining elements of the composition.\u003c\/p\u003e\n\u003cp\u003ePresented as two chairs with a matching ottoman, the repeated bentwood profiles create a particularly strong group. Despite their generous proportions, the exposed frames and suspended seating keep the pieces visually open and remarkably light.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eIngmar Relling (1920–2002) was one of the defining figures of Norwegian modern furniture design.\u003c\/p\u003e\n\u003cp\u003eHe began his career at Rastad \u0026amp; Relling in 1947 before establishing his own studio in Sykkylven in 1950. Working within one of Norway's most important furniture-producing regions, Relling developed an approach characterised by economical construction, ergonomic thinking and a sophisticated understanding of laminated wood.\u003c\/p\u003e\n\u003cp\u003eHis breakthrough came in 1965 with the Siesta Chair. The design won first prize in the Norwegian Industry Council for Furniture and Furnishing's chair competition that same year and subsequently became Relling's most internationally recognised work.\u003c\/p\u003e\n\u003cp\u003eRather than hiding the engineering of the chair beneath upholstery, Relling made its construction fundamental to its appearance. The exposed bentwood frame and suspended leather seat became a particularly clear expression of the Scandinavian principle of achieving more with less.\u003c\/p\u003e\n\u003cp\u003eThe accompanying ottoman follows precisely the same philosophy, completing Relling's idea of lightweight, flexible and genuinely comfortable seating.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eWestnofa, a name derived from West Norway Factories, was established in the late 1950s to bring Norwegian furniture to the international market.\u003c\/p\u003e\n\u003cp\u003eRather than functioning simply as a conventional furniture factory, Westnofa brought together manufacturers from western Norway and helped introduce their work to buyers around the world.\u003c\/p\u003e\n\u003cp\u003eThis coordinated approach played an important role in establishing Norwegian furniture internationally during the postwar period, placing its designers within the broader Scandinavian Modern movement.\u003c\/p\u003e\n\u003cp\u003eIngmar Relling's Siesta became one of the designs most closely associated with the Westnofa name. Its international success made the chair an important ambassador for Norwegian furniture and one of the country's most recognisable modern designs.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe black leather upholstery remains in excellent vintage condition, retaining its softness, clean appearance and natural patina.\u003c\/p\u003e\n\u003cp\u003eThe bent plywood structures are equally well preserved, showing only minor traces of age and use while maintaining their dark finish and structural integrity.\u003c\/p\u003e\n\u003cp\u003eThe chairs and ottoman remain visually consistent as a complete set and present beautifully together.\u003c\/p\u003e\n\u003cp\u003eOverall, the three pieces are presented in excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eChair\u003c\/strong\u003e\u003cbr\u003eWidth · 66 cm \/ 26 in\u003cbr\u003eDepth · 76 cm \/ 30 in\u003cbr\u003eHeight · 95 cm \/ 37.4 in\u003cbr\u003eSeat height · 43 cm \/ 17 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two High-Back Siesta Lounge Chairs and matching Ottoman is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe complete three-piece set is ready to ship.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972856657,"sku":"CRWN1960BBLP3","price":3710.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/b5e59004-il_fullxfull.7776742283_jo2w.jpg?v=1786446499"},{"product_id":"vintage-h-269-sheepskin-wood-lounge-chair-jindrich-halabala-thonet-1930s-czech-republic-retro-modernist-art-deco-furniture-design-icon","title":"H-269 Lounge Chair in Bent Beech \u0026 Sheepskin by Jindřich Halabala for Thonet, 1930s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · H-269\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Jindřich Halabala\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Thonet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Czechoslovakia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1930s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Modernist \/ Art Deco\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent beech, sheepskin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Warm brown, beige\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eH-269 seems to be held inside two enormous curves. Bent beech rises from the floor, sweeps around the arms and returns again in one continuous movement, while a generous surface of sheepskin settles between them. Structure becomes silhouette, and the silhouette becomes almost impossible to separate from the chair itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDesigned in the 1930s, H-269 belongs to a fascinating moment when the elegance of Art Deco was beginning to give way to European modernism. Halabala kept something from both worlds: the drama of a sweeping line, but also the clarity of exposed construction. Wrapped in soft beige sheepskin and surrounded by dark wood, the chair feels less like an object from a particular decade and more like a small world of its own.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJindřich Halabala (1903–1978) was born into a family of cabinetmakers in what was then Austria-Hungary, growing up with furniture making before studying design and architecture in Prague. His work emerged at a moment when traditional craftsmanship, industrial production and a radically new European modernism were beginning to meet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHalabala became one of the defining figures of Czechoslovak furniture design. Bentwood, sweeping curves and generous upholstery gave his furniture a character distinct from the stricter modernism developing elsewhere. His chairs could be rational and theatrical at the same time. H-269 remains one of the clearest expressions of that tension.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThonet transformed furniture long before modernism had a name. Beginning with Michael Thonet's experiments in bentwood during the 19th century, the company discovered how solid wood could be softened, curved and repeated through industrial production, creating furniture that was lighter and more fluid than almost anything that had come before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eBy the 20th century, that language of bentwood had become part of modern furniture itself. Pieces such as H-269 carried the technique into a new era, where sweeping wooden structures could meet the softer proportions and changing ideas of comfort that defined European interiors between the wars.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe seating has been completely reupholstered in genuine beige sheepskin, while the original bent beech structure has been professionally polished and refinished in a warm brown tone beneath transparent lacquer. The lounge chair is presented in excellent vintage condition. As with any authentic vintage piece, subtle traces of age and previous use may be present, adding to its history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 70 cm \/ 27.6 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 85 cm \/ 33.5 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 80 cm \/ 31.5 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 42 cm \/ 16.5 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair can be ready to ship within 15-20 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538972987729,"sku":"LJHC1930BBSW1","price":5990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/c5decf2b-il_fullxfull.8173635500_nadk.jpg?v=1786446499"},{"product_id":"vintage-grey-reupholstered-golden-oak-rocking-chair-1970s-mid-century-modern-minimal-natural-bohemian-lithuanian-design-retro-indi","title":"Azuolas Rocking Chair in Grey Fabric \u0026 Solid Natural Oak by V.E. Cukermaniene for VBK, 1970s","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Azuolas\u003cbr\u003eDesigner · Valerija Ema Cukermaniene\u003cbr\u003eManufacturer · Vilniaus Baldų Kombinatas\u003cbr\u003eOrigin · Lithuania, former USSR\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Lithuanian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Solid wood, textile\u003cbr\u003eColour · Natural, light grey\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThere is something distinctly architectural about the Azuolas Rocking Chair. Two sweeping wooden rockers define its silhouette, while the upholstered seat and backrest are suspended within a remarkably simple structure. Nothing feels unnecessary.\u003c\/p\u003e\n\u003cp\u003eCreated as part of Valerija Ema Cukermaniene’s Azuolas furniture collection, the chair belongs to a lesser-known chapter of European modernism. Lithuanian designers worked within the constraints of Soviet industry while absorbing ideas from Nordic modernism and the Baltic craft tradition. The result here feels familiar yet unmistakably its own. Finished in natural oak with light grey upholstery, the chair becomes particularly graphic, almost like a drawing reduced to a few confident lines.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eValerija Ema Cukermaniene was a Lithuanian architect and furniture designer whose work contributed to the development of Lithuanian modernism during the second half of the 20th century.\u003c\/p\u003e\n\u003cp\u003eAlongside architecture, she designed furniture for significant public interiors, including government and cultural institutions in Vilnius. Her Azuolas collection included an armchair, sofa, rocking chair, convertible armchair and coffee table, forming a complete domestic vocabulary around straightforward construction, generous proportions and the expressive potential of wood.\u003c\/p\u003e\n\u003cp\u003eThe rocking chair is perhaps one of the collection's most sculptural pieces. Its character comes almost entirely from structure and proportion rather than ornament.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eVilniaus Baldų Kombinatas was one of Lithuania's important furniture manufacturers during the Soviet period, producing furniture for both domestic interiors and major public projects.\u003c\/p\u003e\n\u003cp\u003eIts history reaches back to the late 19th century, with the company eventually developing into the contemporary Lithuanian manufacturer Vilniaus Baldai. Pieces produced during the modernist decades remain an interesting record of Lithuania's industrial design culture, particularly when connected to documented architects and designers such as Cukermanienė.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe chair has been carefully restored while retaining its original structure. The wooden frame has been polished and refinished in natural oak, giving the sculptural profile greater visual clarity. The seat and backrest have been completely reupholstered in new light grey fabric.\u003c\/p\u003e\n\u003cp\u003eThe chair is presented in excellent restored vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 63.5 cm \/ 25 in\u003cbr\u003eDepth · 48.3 cm \/ 19 in\u003cbr\u003eHeight · 88.9 cm \/ 35 in\u003cbr\u003eSeat height · 45.7 cm \/ 18 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe rocking chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe rocking chair can be ready to ship within 10 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538973118801,"sku":"RCVL1960YGOF1","price":2190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/bcc8c51a-il_fullxfull.3255106135_em08.jpg?v=1786446498"},{"product_id":"vintage-black-leather-wood-scirocco-safari-lounge-chairs-arne-norell-ab-1960s-set-of-2-scandinavian-mid-century-modern-nordic-furniture-icon","title":"Scirocco Safari Lounge Chairs in Black Leather \u0026 Ash by Arne Norell for Arne Norell AB, 1960s, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Scirocco\u003cbr\u003eDesigner · Arne Norell\u003cbr\u003eManufacturer · Arne Norell AB\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Solid ash, leather\u003cbr\u003eColour · Light ash, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eScirocco looks as though it could be dismantled, packed onto a journey and rebuilt somewhere far away. The wooden structure is completely exposed. Thick leather straps pull it together, cushions settle inside, and brass buckles remain visible rather than being hidden as technical necessities. Construction becomes the decoration.\u003c\/p\u003e\n\u003cp\u003eArne Norell designed the chair in the 1960s, borrowing the wandering spirit of campaign and safari furniture and giving it the precision of Swedish craftsmanship. There is something beautifully contradictory about the result. Scirocco feels rugged but sophisticated, temporary but made to survive generations. In pale ash and black leather, this pair makes that contrast even sharper, two chairs that can quietly transform the atmosphere of an entire room.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eArne Norell (1917–1971) approached Scandinavian modernism from a slightly different direction. Where many of his contemporaries pursued purity through reduction, Norell allowed his furniture to remain tactile, relaxed and sometimes almost adventurous.\u003c\/p\u003e\n\u003cp\u003eAfter establishing Möbel AB Arne Norell in 1954, he developed a language built around exposed structures, generous leather and carefully considered details. Scirocco became one of its clearest expressions. Wood, straps, buckles and cushions are allowed to remain visibly separate, each performing its own role. The chair feels less like a finished shell than a collection of beautifully made parts held together in exactly the right way.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eArne Norell founded his own furniture company in Sweden in 1954, giving him unusually close control over the relationship between design and production. The workshop became the place where his fascination with leather, wood, exposed construction and unconventional comfort could develop without being separated from the craft required to make it possible.\u003c\/p\u003e\n\u003cp\u003eFollowing Norell's death in 1971, the company continued his legacy and remains closely associated with the furniture he created. Scirocco became one of its defining designs, preserving a particularly distinctive corner of Swedish modernism where craftsmanship and a sense of exploration could comfortably inhabit the same object.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original solid ash frames remain beautifully preserved and retain their natural light tone and character. The seating, backrests, armrests and supporting elements have been refreshed in premium black leather, restoring their strength and tactile quality while remaining faithful to the original construction. Both chairs are preserved in excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 67 cm \/ 26.4 in\u003cbr\u003eDepth · 66 cm \/ 26.0 in\u003cbr\u003eHeight · 71 cm \/ 28.0 in\u003cbr\u003eSeat height · 38 cm \/ 15.0 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538973184337,"sku":"LANS1960BBWL2","price":6810.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/fca98d42-il_fullxfull.7780680129_ot1n.jpg?v=1786446502"},{"product_id":"scandinavian-cognac-leather-spanish-chair-borge-mogensen-fredericia-denmark-1960s-set-of-2-vintage-midcentury-minimalist-furniture-icon","title":"Spanish Chairs Cognac Leather \u0026 Solid Oak by Børge Mogensen for Fredericia, 1960s, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Spanish Chair\u003cbr\u003eDesigner · Børge Mogensen\u003cbr\u003eManufacturer · Fredericia\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Solid oak, saddle leather\u003cbr\u003eColour · Light natural oak, cognac\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Chair is one of those rare designs where almost nothing is hidden. Structure, material and construction become the entire expression of the object.\u003c\/p\u003e\n\u003cp\u003eDesigned by Børge Mogensen in 1958, the chair emerged from his encounter with traditional Spanish furniture and Andalusian saddlery. Mogensen took the ancient language of broad wooden frames and stretched leather, stripped away its ornament, and rebuilt it according to the disciplined logic of Danish modernism.\u003c\/p\u003e\n\u003cp\u003eThe result feels somewhere between furniture and equipment. Heavy oak members establish the architecture, while broad pieces of saddle leather are stretched directly across the frame to create the seat and backrest. Oversized armrests give the chair its unmistakable horizontal presence and were conceived generously enough to function almost as small surfaces of their own.\u003c\/p\u003e\n\u003cp\u003eIn this pair, light oak and cognac leather soften the chair's substantial proportions. The leather will continue to change with use, developing deeper colour, creases and patina rather than simply wearing out. It is precisely the kind of material honesty Mogensen believed good furniture should possess.\u003c\/p\u003e\n\u003cp\u003eMore than six decades after its creation, the Spanish Chair still feels remarkably uncompromised. Strong, low and architectural, it was designed not around fashion, but around the idea that the best objects become better through life.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eBørge Mogensen (1914–1972) was one of the central figures of Danish modernism and one of its strongest advocates for functional, durable furniture made from honest materials.\u003c\/p\u003e\n\u003cp\u003eTrained as a cabinetmaker before studying furniture design, Mogensen approached his work through construction rather than decoration. He drew inspiration from vernacular furniture, historical typologies and objects refined through generations of practical use.\u003c\/p\u003e\n\u003cp\u003eThe Spanish Chair is perhaps the purest expression of that philosophy. Inspired by traditional Spanish seating, Mogensen transformed an old furniture archetype into something unmistakably modern without erasing the logic that had made the original endure.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFredericia is one of Denmark's most respected furniture manufacturers and has been closely connected with Børge Mogensen's work since the mid-20th century.\u003c\/p\u003e\n\u003cp\u003eFounded in 1911, the company built its reputation around exceptional craftsmanship, carefully selected natural materials and furniture intended to remain relevant across generations.\u003c\/p\u003e\n\u003cp\u003eIts collaboration with Mogensen became one of the defining relationships in Danish furniture history. Fredericia continues to produce the Spanish Chair today, preserving the construction, materials and uncompromising character at the heart of the original design.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original solid oak structures have been carefully refinished in a light natural tone, preserving the grain and substantial character of the wood.\u003c\/p\u003e\n\u003cp\u003eThe cognac saddle leather has been refreshed while retaining the tactile quality and natural character central to the design. The combination gives the pair a beautifully balanced presence, with the warmth of the leather contrasting against the lighter oak structures.\u003c\/p\u003e\n\u003cp\u003eOverall, both chairs are presented in excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 82 cm \/ 32.3 in\u003cbr\u003eDepth · 60 cm \/ 23.6 in\u003cbr\u003eHeight · 68 cm \/ 26.8 in\u003cbr\u003eSeat height · 35 cm \/ 13.8 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two Spanish Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Chairs are ready to ship within 15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538973282641,"sku":"LBMD1960CBLW2","price":9880.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/b17e37e2-il_fullxfull.7341542817_2rgs.jpg?v=1786446499"},{"product_id":"vintage-cognac-leather-highback-plywood-siesta-chair-ottoman-ingmar-relling-westnofa-norway-1970s-scandinavian-mid-century-modern-design","title":"Siesta Lounge Chair \u0026 Ottoman in Cognac Leather \u0026 Plywood by Ingmar Relling for Westnofa, 1970s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Siesta, High-Back\u003cbr\u003eDesigner · Ingmar Relling\u003cbr\u003eManufacturer · Westnofa\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Norwegian Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Brown, cognac\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe high-back Siesta with its matching ottoman presents Ingmar Relling's most celebrated design as a complete lounge composition.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1965, the Siesta was based on a remarkably economical structural idea. Rather than constructing a conventional upholstered armchair, Relling created a curved laminated wood frame from which the seating surface could be suspended. The structure provides strength and flexibility, while the leather follows the body without adding unnecessary volume.\u003c\/p\u003e\n\u003cp\u003eThe high-back version extends this principle into a taller and more enveloping silhouette. Its elongated backrest provides additional support while emphasising the sweeping movement of the bentwood frame. The matching ottoman continues the same structural language, extending the relaxed sitting position into a complete environment for rest.\u003c\/p\u003e\n\u003cp\u003eIn this example, the brown bentwood structure is paired with rich cognac leather. The warmth of the leather emphasises the curves of the plywood frame, while the open construction prevents the chair from becoming visually heavy.\u003c\/p\u003e\n\u003cp\u003eTogether, the chair and ottoman reveal what makes the Siesta so enduring. Comfort comes from tension, proportion and flexibility rather than mass, resulting in furniture that feels generous to sit in while remaining remarkably light in the room.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eIngmar Relling (1920–2002) was one of the defining figures of Norwegian modern furniture design.\u003c\/p\u003e\n\u003cp\u003eHe began his career at Rastad \u0026amp; Relling in 1947 before establishing his own studio in Sykkylven in 1950. Working within one of Norway's most important furniture-producing regions, Relling developed an approach characterised by economical construction, ergonomic thinking and a sophisticated understanding of laminated wood.\u003c\/p\u003e\n\u003cp\u003eHis breakthrough came in 1965 with the Siesta Chair. The design won first prize in the Norwegian Industry Council for Furniture and Furnishing's chair competition that same year and subsequently became Relling's most internationally recognised work.\u003c\/p\u003e\n\u003cp\u003eRather than hiding the engineering of the chair beneath upholstery, Relling made its construction fundamental to its appearance. The exposed bentwood frame and suspended leather seat became a particularly clear expression of the Scandinavian principle of achieving more with less.\u003c\/p\u003e\n\u003cp\u003eThe Siesta ultimately became an icon of Norwegian design and remains the piece most closely associated with Relling's career.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eWestnofa, a name derived from West Norway Factories, was established in the late 1950s to bring Norwegian furniture to the international market.\u003c\/p\u003e\n\u003cp\u003eRather than functioning simply as a conventional furniture factory, Westnofa brought together manufacturers from western Norway and helped introduce their work to buyers around the world.\u003c\/p\u003e\n\u003cp\u003eThis coordinated approach played an important role in establishing Norwegian furniture internationally during the postwar period, placing its designers within the broader Scandinavian Modern movement.\u003c\/p\u003e\n\u003cp\u003eIngmar Relling's Siesta became one of the designs most closely associated with the Westnofa name. Its international success made the chair an important ambassador for Norwegian furniture and one of the country's most recognisable modern designs.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe chair and ottoman are presented in very good vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe cognac leather remains beautifully preserved, retaining its rich colour, softness and natural vintage character.\u003c\/p\u003e\n\u003cp\u003eThe brown bent plywood structures show slight traces of age and use consistent with their vintage character while remaining structurally sound and well preserved.\u003c\/p\u003e\n\u003cp\u003eThe set retains its manufacturer's label, providing an additional mark of authenticity.\u003c\/p\u003e\n\u003cp\u003eOverall, the chair and ottoman present beautifully together and preserve the material warmth and character of the original design.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eChair\u003c\/strong\u003e\u003cbr\u003eWidth · 66 cm \/ 26 in\u003cbr\u003eDepth · 76 cm \/ 30 in\u003cbr\u003eHeight · 95 cm \/ 37.4 in\u003cbr\u003eSeat height · 43 cm \/ 17 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe High-Back Siesta Lounge Chair \u0026amp; Ottoman is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe High-Back Siesta Lounge Chair \u0026amp; Ottoman is ready to ship.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538973315409,"sku":"LRWN1960CBLP2","price":3130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/d2c4e5ee-il_fullxfull.7793680533_t2m2.jpg?v=1786446505"},{"product_id":"brutalist-industrial-forged-bronze-cast-glass-tables-lothar-klute-germany-1990s-set-of-2-vintage-artisan-rare-minimalist-furniture-design","title":"Brutalist Sculptural Tables in Forged Bronze \u0026 Cast Glass by Lothar Klute, Germany, 1990s, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eDesigner · Lothar Klute\u003cbr\u003eManufacturer · Lothar Klute\u003cbr\u003eOrigin · Germany\u003cbr\u003ePeriod · 1990s\u003cbr\u003eStyle · Brutalist\u003cbr\u003eMaterials · Forged bronze, cast glass\u003cbr\u003eColour · Dark bronze, clear glass\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThese tables seem closer to fragments of architecture than conventional furniture. Bronze rises from the floor in irregular, almost geological lines, while thick slabs of cast glass rest above them. The metal looks heavy and ancient. The glass catches light, bubbles and imperfections inside it, as though something liquid had suddenly been frozen in place.\u003c\/p\u003e\n\u003cp\u003eKlute allowed the process of making to remain visible. Bronze carries the marks of fire and handwork, while no two areas of cast glass behave quite the same way. There is a strange tension between their brutality and delicacy, between something forged and something transparent. Seen together as a pair, the tables feel less like repeated objects than two variations of the same small landscape.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eLothar Klute is a German designer and craftsman whose work sits somewhere between furniture, sculpture and metalwork. Rather than concealing the processes behind an object, he allows them to become part of its character.\u003c\/p\u003e\n\u003cp\u003eForged bronze and cast glass became central to this language. Both materials are transformed through heat, but retain traces of that transformation afterwards: irregular surfaces, changing textures, bubbles, marks and subtle variations that industrial perfection would normally remove. Klute uses these imperfections deliberately, making each piece feel less manufactured than formed.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eLothar Klute produced his furniture within his own workshop, keeping design and fabrication unusually close to one another. This allowed forms to develop through the behaviour of the materials themselves rather than existing only as predetermined drawings.\u003c\/p\u003e\n\u003cp\u003eThe bronze elements are individually worked and finished by hand, while the cast glass develops its own internal patterns during production. As a result, repetition never produces an exact copy. Each table carries small variations that belong specifically to the moment in which it was made.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe forged bronze structures and cast glass tops are beautifully preserved in excellent vintage condition. The bronze has developed a rich, dark patina consistent with age, while the glass retains its characteristic transparency, texture and internal air inclusions. As with any authentic vintage pieces, subtle traces of age and previous use may be present, adding to their history and individual character.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 80 cm \/ 31.5 in\u003cbr\u003eDepth · 65 cm \/ 25.6 in\u003cbr\u003eHeight · 52 cm \/ 20.5 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe tables are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe tables can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538973413713,"sku":"TLKG1990CBGM2","price":7860.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/LotharKlute1.jpg?v=1787070807"},{"product_id":"vintage-black-leather-wood-superstar-lounge-chair-sigurd-ressell-trygg-mobler-1970s-denmark-scandinavian-mid-century-modern-minimal-design","title":"Superstar Lounge Chair in Black Leather \u0026 Bent Plywood by Sigurd Ressell for Trygg Møbler, 1970s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Superstar\u003cbr\u003eDesigner · Sigurd Ressell\u003cbr\u003eManufacturer · Trygg Møbler\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Dark brown, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eSuperstar is built around suspension. Four sweeping pieces of bent plywood create an open structure, while the leather seat hangs almost independently inside it. The chair does not hold the body in the conventional sense. It lets it settle.\u003c\/p\u003e\n\u003cp\u003eEmerging during the 1970s, the Superstar belongs to the same Scandinavian experiment with suspended seating that produced some of the decade's most memorable lounge chairs. Structure and upholstery are allowed to separate, creating a silhouette that feels unusually light despite its generous proportions. Dark bentwood and black leather give this example an almost monochromatic presence, somewhere between a hammock, a piece of equipment and a small piece of architecture made for doing absolutely nothing.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eSigurd Ressell (1920–2010) trained in carpentry at the Norwegian National Academy of Craft and Art Industry before developing a career that moved between interiors, craftsmanship and industrial furniture design. His early work remained rooted in Scandinavian woodworking, but by the 1960s he had become increasingly interested in tension, suspension and new ways of allowing furniture to respond to the body.\u003c\/p\u003e\n\u003cp\u003eThat experimentation ultimately became central to Ressell's design language. Rather than placing upholstery conventionally onto a rigid structure, he explored ways of letting the seat exist almost independently within it. The result was furniture with an unusual sense of movement and freedom, ideas that became closely associated with Scandinavian lounge seating of the 1970s.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eTrygg Møbler was a Danish furniture manufacturer active during the flourishing Scandinavian furniture industry of the 1970s. The company became particularly associated with the Superstar Chair, translating the era's fascination with bentwood and suspended seating into a distinctly relaxed lounge chair.\u003c\/p\u003e\n\u003cp\u003eIts construction belongs unmistakably to the period: laminated wood used not simply as structure but as a continuous sculptural line, paired with leather that hangs within rather than conceals the frame. The result is an object whose construction remains visible from almost every angle.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe bent plywood frame remains fully original and is preserved in excellent vintage condition, retaining its deep brown finish and natural character. The black leather cushions have been refreshed, restoring their softness and tactile quality while remaining faithful to the original appearance of the chair. Subtle traces of age and previous use may remain as part of its authentic vintage character.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 78 cm \/ 30.7 in\u003cbr\u003eDepth · 78 cm \/ 30.7 in\u003cbr\u003eHeight · 94 cm \/ 37.0 in\u003cbr\u003eSeat height · 38 cm \/ 14.9 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538973577553,"sku":"LSRTD1970BBLW1","price":2990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/1ed855d6-il_fullxfull.8204352543_2wkh.jpg?v=1786446503"},{"product_id":"scandinavian-black-leather-spanish-chair-borge-mogensen-fredericia-stolefabrik-denmark-1960s-vintage-mid-century-modern-minimalist-furniture","title":"Spanish Chair in Black Saddle Leather \u0026 Oak by Børge Mogensen for Fredericia, 1958","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Spanish Chair\u003cbr\u003eDesigner · Børge Mogensen\u003cbr\u003eManufacturer · Fredericia\u003cbr\u003eOrigin · Denmark\u003cbr\u003eDesign · 1958\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Solid oak, saddle leather\u003cbr\u003eColour · Black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Chair is one of Børge Mogensen's most recognisable designs and one of the clearest expressions of his belief in honest materials, structural clarity and furniture made to endure.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1958, the chair was inspired by traditional Spanish seating that Mogensen encountered during travels through Spain. Particularly influential were chairs constructed from substantial wooden frames with broad leather surfaces stretched between them, objects whose beauty came directly from their construction rather than applied decoration.\u003c\/p\u003e\n\u003cp\u003eMogensen translated this archetype into the language of Danish modernism. A generous solid oak structure forms the architecture of the chair, while broad saddle leather panels create the seat and backrest. The leather is not simply upholstery placed over a hidden structure. It remains visibly independent, allowing its tension, thickness and natural character to become fundamental parts of the design.\u003c\/p\u003e\n\u003cp\u003eThe unusually wide armrests are among the chair's defining features. Their generous proportions give the Spanish Chair its unmistakable presence while reflecting Mogensen's interest in furniture as a practical part of everyday life.\u003c\/p\u003e\n\u003cp\u003eIn this example, both the oak structure and saddle leather are finished in black, giving the familiar design an unusually monolithic character. The dark treatment emphasises silhouette and proportion, allowing the relationship between the substantial frame and suspended leather surfaces to become especially clear.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eBørge Mogensen (1914–1972) was one of the most influential figures of Danish modern furniture design.\u003c\/p\u003e\n\u003cp\u003eTrained first as a cabinetmaker before studying furniture design at the Royal Danish Academy of Fine Arts under Kaare Klint, Mogensen developed an approach rooted in proportion, functionality and an uncompromising respect for materials.\u003c\/p\u003e\n\u003cp\u003eRather than designing furniture primarily as sculptural statements, he was interested in creating durable objects for everyday life. Traditional furniture typologies, vernacular construction and historical precedents frequently became starting points for designs that he simplified and adapted for contemporary living.\u003c\/p\u003e\n\u003cp\u003eThe Spanish Chair is perhaps the most powerful expression of this philosophy. Its origins are historical, but Mogensen stripped the archetype to its essential structural components, producing something simultaneously ancient in character and unmistakably modern.\u003c\/p\u003e\n\u003cp\u003eMore than six decades after its introduction, the chair remains remarkably relevant because almost nothing about it depends on fashion. Its identity comes from proportion, construction and the natural relationship between oak and leather.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFredericia was founded in Denmark in 1911 and has become one of the country's most respected furniture manufacturers.\u003c\/p\u003e\n\u003cp\u003eThe company's relationship with Børge Mogensen became fundamental to its identity and to the development of some of the most enduring furniture of the Danish modern period.\u003c\/p\u003e\n\u003cp\u003eMogensen began collaborating closely with Fredericia during the 1950s, developing furniture in which craftsmanship, material quality and rational construction were inseparable. The Spanish Chair became one of the defining pieces to emerge from this relationship.\u003c\/p\u003e\n\u003cp\u003eFredericia continues to preserve Mogensen's design legacy, and the Spanish Chair remains one of the pieces most strongly associated with both the designer and the manufacturer.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original solid oak structure has been carefully refinished in black, while preserving the natural grain and tactile character of the wood.\u003c\/p\u003e\n\u003cp\u003eThe black saddle leather seat and backrest have been refreshed to extend their life while maintaining the material character fundamental to the design.\u003c\/p\u003e\n\u003cp\u003eThe structure remains strong and well preserved, with the refinished oak and refreshed leather creating a particularly clean and cohesive appearance.\u003c\/p\u003e\n\u003cp\u003eOverall, the Spanish Chair is presented in excellent restored vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 82 cm \/ 32.3 in\u003cbr\u003eDepth · 60 cm \/ 23.6 in\u003cbr\u003eHeight · 68 cm \/ 26.8 in\u003cbr\u003eSeat height · 35 cm \/ 13.8 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Chair is ready to ship within 15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974036305,"sku":"LBMD1960BBLW1","price":5690.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/815363c2-il_fullxfull.7709703832_lijy.jpg?v=1786446507"},{"product_id":"vintage-red-leather-wood-scirocco-safari-lounge-chairs-arne-norell-ab-1960s-set-of-2-scandinavian-mid-century-modern-nordic-furniture-icon","title":"Scirocco Safari Lounge Chairs in Red Leather \u0026 Ash by Arne Norell for Arne Norell AB, 1960s, Set of 2","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Scirocco\u003cbr\u003eDesigner · Arne Norell\u003cbr\u003eManufacturer · Arne Norell AB\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Solid ash, leather\u003cbr\u003eColour · Light ash, red\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eScirocco looks as though it could be dismantled, packed onto a journey and rebuilt somewhere far away. The wooden structure is completely exposed. Thick leather straps pull it together, cushions settle inside, and brass buckles remain visible rather than being hidden as technical necessities. Construction becomes the decoration.\u003c\/p\u003e\n\u003cp\u003eArne Norell designed the chair in the 1960s, borrowing the wandering spirit of campaign and safari furniture and giving it the precision of Swedish craftsmanship. There is something beautifully contradictory about the result. Scirocco feels rugged but sophisticated, temporary but made to survive generations. In pale ash and red leather, this pair makes that contrast even sharper, two chairs that can quietly transform the atmosphere of an entire room.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eArne Norell (1917–1971) approached Scandinavian modernism from a slightly different direction. Where many of his contemporaries pursued purity through reduction, Norell allowed his furniture to remain tactile, relaxed and sometimes almost adventurous.\u003c\/p\u003e\n\u003cp\u003eAfter establishing Möbel AB Arne Norell in 1954, he developed a language built around exposed structures, generous leather and carefully considered details. Scirocco became one of its clearest expressions. Wood, straps, buckles and cushions are allowed to remain visibly separate, each performing its own role. The chair feels less like a finished shell than a collection of beautifully made parts held together in exactly the right way.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eArne Norell founded his own furniture company in Sweden in 1954, giving him unusually close control over the relationship between design and production. The workshop became the place where his fascination with leather, wood, exposed construction and unconventional comfort could develop without being separated from the craft required to make it possible.\u003c\/p\u003e\n\u003cp\u003eFollowing Norell's death in 1971, the company continued his legacy and remains closely associated with the furniture he created. Scirocco became one of its defining designs, preserving a particularly distinctive corner of Swedish modernism where craftsmanship and a sense of exploration could comfortably inhabit the same object.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original solid ash frames remain beautifully preserved and retain their natural light tone and character. The seating, backrests, armrests and supporting elements have been refreshed in premium red leather, restoring their strength and tactile quality while remaining faithful to the original construction. Both chairs are preserved in excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 67 cm \/ 26.4 in\u003cbr\u003eDepth · 66 cm \/ 26.0 in\u003cbr\u003eHeight · 71 cm \/ 28.0 in\u003cbr\u003eSeat height · 38 cm \/ 15.0 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974069073,"sku":"LANS1960BRWL2","price":7090.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/fbf8828b-il_fullxfull.7707054626_ba7x.jpg?v=1786446507"},{"product_id":"vintage-cognac-leather-pernilla-lounge-chair-ottoman-bruno-mathsson-dux-1969-scandinavian-original-mid-century-modern-minimalist-furniture","title":"Pernilla Lounge Chair \u0026 Ottoman in Cognac Leather \u0026 Beech by Bruno Mathsson for DUX, 1969","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Pernilla\u003cbr\u003eDesigner · Bruno Mathsson\u003cbr\u003eManufacturer · DUX\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1969\u003cbr\u003eStyle · Scandinavian Modern\u003cbr\u003eMaterials · Bent beech, leather\u003cbr\u003eColour · Natural beech, cognac\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThere are chairs designed to be looked at, and there are chairs designed around the human body. Bruno Mathsson's Pernilla belongs unmistakably to the latter.\u003c\/p\u003e\n\u003cp\u003eDesigned through decades of experimentation with posture, movement and rest, the Pernilla represents Mathsson's belief that furniture should follow the natural geometry of the body rather than force the body to adapt to furniture. Its long, reclining silhouette appears almost weightless, carried by sweeping laminated beech supports that transform structure into line.\u003c\/p\u003e\n\u003cp\u003eThis 1969 example is accompanied by its matching ottoman and finished in cognac leather. Against the pale warmth of the bent beech, the leather gives the composition a richer, more tactile presence while preserving the extraordinary visual lightness that made Mathsson's work so radical.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eBruno Mathsson (1907–1988) was one of the great visionaries of Swedish modernism, a designer whose work transformed the relationship between furniture, ergonomics and the human body.\u003c\/p\u003e\n\u003cp\u003eBorn into a family of cabinetmakers in Värnamo, Sweden, Mathsson grew up surrounded by traditional woodworking. Yet rather than simply continuing that tradition, he began questioning how furniture itself should work. His experiments with laminated and steam-bent wood allowed him to create structures that were lighter, stronger and more fluid than conventional furniture of the period.\u003c\/p\u003e\n\u003cp\u003eComfort, for Mathsson, was not something added to a chair. It determined the chair's architecture. His reclining designs became studies of gravity, posture and support, creating an unmistakable language of flowing wooden frames and suspended seating that remains remarkably modern today.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eDUX was founded in Malmö, Sweden, in 1926 by Efraim Ljung and became one of the important manufacturers of Scandinavian modern furniture.\u003c\/p\u003e\n\u003cp\u003eKnown for combining engineering, ergonomics and exceptional craftsmanship, DUX collaborated with some of Sweden's most significant designers. Its relationship with Bruno Mathsson brought his experimental approach to comfort into carefully engineered production, creating furniture capable of preserving both the delicacy of his forms and the demands of everyday use.\u003c\/p\u003e\n\u003cp\u003eToday, the Mathsson and DUX collaboration remains one of the defining relationships in Swedish furniture design.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe bent beech structure remains fully original and is beautifully preserved beneath its transparent finish.\u003c\/p\u003e\n\u003cp\u003eThe seating cushions have been reupholstered in natural cognac leather according to the original aesthetic, bringing renewed softness and depth while respecting Mathsson's design. Overall, the lounge chair and ottoman are presented in excellent, nearly new vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 66 cm \/ 26 in\u003cbr\u003eDepth · 84 cm \/ 33.1 in\u003cbr\u003eHeight · 97 cm \/ 38.2 in\u003cbr\u003eSeat height · 25 cm \/ 9.8 in\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair and ottoman are ready to ship within 10 business days.\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair and ottoman are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974560593,"sku":"LMD1976WLBC1","price":3770.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/426f6cf5-il_fullxfull.7709111684_6xce.jpg?v=1786446507"},{"product_id":"vintage-plywood-leather-high-back-siesta-chairs-ingmar-relling-westnofa-norway-set-of-2-scandinavian-mid-century-modern-minimalist-furniture","title":"Siesta High-Back Chairs in Black Leather by Ingmar Relling for Westnofa, 1970s, Set of 2","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Siesta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Ingmar Relling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Westnofa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Norway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1970s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent plywood, canvas, leather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Light beech, black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eSiesta almost disappears around the person sitting in it. Two sweeping pieces of bent plywood form the structure, while canvas and leather are suspended between them, allowing the body to settle naturally into the chair. There is remarkably little material for something that feels so complete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eRelling reduced the lounge chair until almost nothing remained but movement, tension and comfort. The frame bends, the seat gives way, and the entire chair seems to float just above the floor. Designed in 1965, Siesta became one of Norway’s great furniture exports. Decades later, it still feels like a remarkably modern idea of how little a chair actually needs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIngmar Relling (1920–2002) grew up in Sykkylven, a small Norwegian town surrounded by mountains and furniture workshops. After working at Rastad \u0026amp; Relling, he established his own studio there in 1950 and began developing a language shaped by economy, movement and the possibilities of industrial production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis breakthrough came with the Siesta Chair in 1965. Rather than building comfort through mass and upholstery, Relling suspended the body inside a flexible bentwood structure. The idea was simple enough to travel around the world, yet distinctive enough to become one of the defining objects of Norwegian modernism.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWestnofa was created to carry Norwegian furniture beyond Norway. Its name, derived from West Norway Factories, represented a group of manufacturers working together to bring the country’s emerging design culture to an international audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFew pieces embodied that ambition as completely as Ingmar Relling’s Siesta. Produced in large numbers and exported around the world, the chair transformed an experiment in Norwegian bentwood into an international design icon.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe black leather upholstery has been refreshed, while the original bent plywood frames show subtle traces of age consistent with careful use. The supporting canvas has been professionally cleaned. Both chairs remain in very good vintage condition, preserving their original structure and character. As with any authentic vintage pieces, subtle traces of age and previous use may be present, adding to their history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 66 cm \/ 26.0 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 76 cm \/ 30.0 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 95 cm \/ 37.4 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 43 cm \/ 17.0 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974691665,"sku":"CRWN1960BBLP2","price":2630.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/SiestaHighbackBlackLeatherBeigeWood2x1.jpg?v=1786994653"},{"product_id":"vintage-beige-bentwood-manta-lounge-chairs-ingmar-relling-westnofa-norway-1970s-set-of-2-scandinavian-mid-century-modern-nordic-design-icon","title":"Manta Lounge Chairs in Beige Leather \u0026 Bent Plywood by Ingmar Relling for Westnofa, 1970s, Set of 2","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Manta\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Ingmar Relling\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Westnofa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Norway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1970s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent plywood, leather, fabric\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Light beech, beige\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eManta seems to open around the body. Two broad curves of bent plywood sweep from the floor into the arms, holding a suspended seat between them like a soft surface inside a wooden shell. The structure is generous but remarkably light, with empty space doing almost as much work as the material itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eDesigned by Relling in the 1970s, Manta belongs to a more expressive moment in Scandinavian modernism. The disciplined lines of earlier decades became wider, lower and more relaxed, yet the basic idea remained beautifully simple: bend wood, suspend the body and let gravity provide the comfort. As a pair, the chairs have an almost architectural presence, two pale structures shaped around the simple act of slowing down.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIngmar Relling (1920–2002) grew up in Sykkylven, a small Norwegian town surrounded by mountains and furniture workshops. After working at Rastad \u0026amp; Relling, he established his own studio there in 1950 and began developing a language shaped by economy, movement and the possibilities of industrial production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHis experiments with suspended seating became central to that language. Rather than building comfort through mass and heavy upholstery, Relling allowed flexible materials and bentwood structures to respond naturally to the body. Manta carried those ideas into the 1970s, becoming broader and more sculptural while preserving the lightness that made his furniture unmistakably his own.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWestnofa was created to carry Norwegian furniture beyond Norway. Its name, derived from West Norway Factories, represented a group of manufacturers working together to bring the country's emerging design culture to an international audience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIngmar Relling became one of the designers most closely associated with that story. His furniture travelled into homes around the world, and designs such as Manta carried a distinctly Norwegian approach to bentwood, comfort and structural clarity far beyond Scandinavia.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bent plywood frames and fabric and leather supports remain original and are beautifully preserved. The original light beige leather seating has been carefully restored while retaining its authentic character. Both lounge chairs are preserved in excellent, nearly new vintage condition. As with any authentic vintage pieces, subtle traces of age and previous use may be present, adding to their history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 85 cm \/ 33.5 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 90 cm \/ 35.4 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 100 cm \/ 39.4 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 43 cm \/ 16.9 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chairs can be ready to ship within 5 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974855505,"sku":"LIRWN1970BYLP2","price":2260.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/Manta2x1.jpg?v=1786992246"},{"product_id":"vintage-tan-leather-wood-scirocco-safari-lounge-chairs-arne-norell-ab-1960s-set-of-2-scandinavian-mid-century-modern-furniture-nordic-icon","title":"Scirocco Safari Lounge Chairs in Tan Leather \u0026 Ash by Arne Norell for Arne Norell AB, 1960s, Set of 2","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Scirocco\u003cbr\u003eDesigner · Arne Norell\u003cbr\u003eManufacturer · Arne Norell AB\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Solid ash, leather\u003cbr\u003eColour · Light ash, tan\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eScirocco looks as though it could be dismantled, packed onto a journey and rebuilt somewhere far away. The wooden structure is completely exposed. Thick leather straps pull it together, cushions settle inside, and brass buckles remain visible rather than being hidden as technical necessities. Construction becomes the decoration.\u003c\/p\u003e\n\u003cp\u003eArne Norell designed the chair in the 1960s, borrowing the wandering spirit of campaign and safari furniture and giving it the precision of Swedish craftsmanship. There is something beautifully contradictory about the result. Scirocco feels rugged but sophisticated, temporary but made to survive generations. In pale ash and tan leather, this pair makes that contrast even sharper, two chairs that can quietly transform the atmosphere of an entire room.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eArne Norell (1917–1971) approached Scandinavian modernism from a slightly different direction. Where many of his contemporaries pursued purity through reduction, Norell allowed his furniture to remain tactile, relaxed and sometimes almost adventurous.\u003c\/p\u003e\n\u003cp\u003eAfter establishing Möbel AB Arne Norell in 1954, he developed a language built around exposed structures, generous leather and carefully considered details. Scirocco became one of its clearest expressions. Wood, straps, buckles and cushions are allowed to remain visibly separate, each performing its own role. The chair feels less like a finished shell than a collection of beautifully made parts held together in exactly the right way.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eArne Norell founded his own furniture company in Sweden in 1954, giving him unusually close control over the relationship between design and production. The workshop became the place where his fascination with leather, wood, exposed construction and unconventional comfort could develop without being separated from the craft required to make it possible.\u003c\/p\u003e\n\u003cp\u003eFollowing Norell's death in 1971, the company continued his legacy and remains closely associated with the furniture he created. Scirocco became one of its defining designs, preserving a particularly distinctive corner of Swedish modernism where craftsmanship and a sense of exploration could comfortably inhabit the same object.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original solid ash frames remain beautifully preserved and retain their natural light tone and character. The seating, backrests, armrests and supporting elements have been refreshed in premium tan leather, restoring their strength and tactile quality while remaining faithful to the original construction. Both chairs are preserved in excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 67 cm \/ 26.4 in\u003cbr\u003eDepth · 66 cm \/ 26.0 in\u003cbr\u003eHeight · 71 cm \/ 28.0 in\u003cbr\u003eSeat height · 38 cm \/ 15.0 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chairs can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974888273,"sku":"LANS1960BBWL2","price":7130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/f537d8a8-il_fullxfull.7751908505_d0vm.jpg?v=1786446511"},{"product_id":"vintage-rosewood-papercord-niels-otto-moller-model-78-dining-chairs-j-l-moller-mobelfabrik-denmark-1950s-set-of-4-mid-century-modern-icon","title":"Model 78 Chairs in Paper Cord \u0026 Rosewood by Niels Otto Møller for J.L. Møller Møbelfabrik, 1950s, Set of 4","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Model 78\u003cbr\u003eDesigner · Niels Otto Møller\u003cbr\u003eManufacturer · J.L. Møller Møbelfabrik\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1950s\u003cbr\u003eStyle · Scandinavian Modern\u003cbr\u003eMaterials · Rosewood, paper cord\u003cbr\u003eColour · Rosewood, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Model 78 is Danish furniture reduced to its essentials: beautiful timber, precise joinery and proportions that need almost nothing else.\u003c\/p\u003e\n\u003cp\u003eDesigned by Niels Otto Møller in the early 1950s, the chair has a remarkably fluid silhouette. Its slender legs rise naturally into the sculpted backrest, while the woven paper cord seat introduces a lighter, tactile counterpoint to the richness of the rosewood. Every transition feels considered, yet nothing appears decorative for its own sake.\u003c\/p\u003e\n\u003cp\u003ePresented here as a matching set of four, the combination of deep rosewood and woven paper cord gives the chairs a quiet architectural presence. They are restrained enough to disappear around a dining table, but beautifully resolved enough to stand alone.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eNiels Otto Møller (1920–1982) was one of the great Danish cabinetmaker-designers of the 20th century, known for an uncompromising approach to craftsmanship, proportion and material.\u003c\/p\u003e\n\u003cp\u003eTrained as a cabinetmaker, Møller founded his own furniture workshop in 1944. Rather than producing an enormous catalogue, he concentrated particularly on the dining chair, continuously refining its structure, ergonomics and construction.\u003c\/p\u003e\n\u003cp\u003eThe Model 78 is a particularly pure expression of this philosophy. Designed during the formative years of Danish modernism, its character comes from the quality of its proportions and the precision with which every wooden element meets the next. Møller allowed craftsmanship itself to become the aesthetic.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eJ.L. Møller Møbelfabrik was founded by Niels Otto Møller in Denmark in 1944 and became internationally recognised for producing some of the finest dining furniture of the Scandinavian Modern period.\u003c\/p\u003e\n\u003cp\u003eThe workshop maintained an unusually strong relationship between design and production. Traditional cabinetmaking techniques, carefully selected timbers and meticulous finishing allowed Møller's increasingly refined chair designs to be manufactured without sacrificing their sculptural character.\u003c\/p\u003e\n\u003cp\u003eVintage rosewood examples remain particularly desirable, combining the richness of the timber with the exceptional workmanship for which the Møller workshop became known.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe four rosewood frames remain in excellent original vintage condition, preserving their rich grain, depth and sculptural clarity.\u003c\/p\u003e\n\u003cp\u003eThe woven paper cord seats are intact, supportive and comfortable. Overall, the set has been beautifully preserved and retains the authentic material character expected from quality Danish furniture of the period.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 50 cm \/ 19.7 in\u003cbr\u003eDepth · 49 cm \/ 19.3 in\u003cbr\u003eHeight · 81 cm \/ 31.9 in\u003cbr\u003eSeat height · 45 cm \/ 17.7 in\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set of four dining chairs is ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe dining chairs are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974921041,"sku":"CNOMD1950BBRL4","price":6670.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/a765d53f-il_fullxfull.8181352217_mov4.jpg?v=1786446515"},{"product_id":"vintage-black-leather-plywood-gravity-balans-lounge-chair-peter-opsvik-varier-1990s-norway-scandinavian-mid-century-modern-furniture-icon","title":"Gravity Balans Lounge Chair in Black Leather \u0026 Plywood by Peter Opsvik for Varier, 1990s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Gravity Balans\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Peter Opsvik\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Varier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Norway\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1990s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Postmodern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Bent beech plywood, leather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGravity Balans does not really have a single way of being a chair. Its long bentwood runners allow the entire structure to move with the body, shifting from an upright seat into a reclined position until the legs rise above the heart and the sitter seems almost weightless.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eOpsvik designed Gravity Balans as a challenge to the idea that sitting should mean remaining still. The chair rocks, tilts and changes its relationship with gravity as the body moves through it. Bent beech creates one continuous sweeping structure while black leather marks the points where the body meets the chair. It looks unusual because the idea behind it is unusual: furniture should adapt to us, rather than asking us to adapt to furniture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePeter Opsvik (1939–2024) spent much of his career questioning something most designers had simply accepted: the way people sit. Rather than searching for one perfect posture, he believed the body needed movement, variation and the freedom to continually change position.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThat idea produced some of Norway's most unconventional furniture. Chairs became rocking structures, kneeling supports, saddles and balancing devices, often using bent wood to follow movements that conventional seating tried to prevent. Gravity Balans is perhaps the most complete expression of that thinking — less a fixed chair than an instrument for exploring what sitting could become.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eVarier grew from the Norwegian tradition of ergonomic seating, building its identity around furniture designed for movement rather than static posture. Its collection brought together some of the country's most experimental ideas about the relationship between furniture and the human body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePeter Opsvik's designs became central to that world. Gravity Balans embodies the philosophy particularly clearly: bent wood, carefully positioned supports and a rocking structure work together to create a chair whose form changes continuously with the person using it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe bent beech plywood frame and black leather seating remain original and are preserved in excellent vintage condition. Both the wooden structure and leather show only minimal traces of age and previous use, leaving the chair in a nearly new vintage state. As with any authentic vintage piece, subtle traces of time may be present, adding to its history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 73 cm \/ 28.7 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 135 cm \/ 53.2 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 120 cm \/ 47.3 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSeat height · 46 cm \/ 18.1 in\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe angle of the chair changes with the sitting position, allowing the body to move between upright and deeply reclined configurations.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe lounge chair can be ready to ship within 5 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974953809,"sku":"LPOVN1990BBLP1","price":3990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/512a5939-il_fullxfull.7748632151_e83p.jpg?v=1786446511"},{"product_id":"vintage-red-leather-low-back-siesta-chairs-ottoman-ingmar-relling-westnofa-norway-set-of-3-1970s-scandinavian-mid-century-modern-design","title":"Siesta Lounge Chairs \u0026 Ottoman in Red Leather \u0026 Plywood by Ingmar Relling for Westnofa, 1970s, Set of 3","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Siesta, Low-Back\u003cbr\u003eDesigner · Ingmar Relling\u003cbr\u003eManufacturer · Westnofa\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Norwegian Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Brown, red\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe low-back Siesta with its accompanying ottoman presents Ingmar Relling's most celebrated design as a complete three-piece lounge composition.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1965, the Siesta was based on a remarkably economical structural idea. Instead of constructing a conventional upholstered armchair, Relling created a curved laminated wood frame from which the seating surface could be suspended. The frame provides strength and flexibility, while the leather follows the body without adding unnecessary volume.\u003c\/p\u003e\n\u003cp\u003eThe low-back version brings this idea into a particularly compact and visually open form. Its gently inclined seat and suspended leather support the body naturally, while the sweeping plywood structure remains completely exposed. The matching ottoman continues the same construction, extending the sitting position while preserving the lightness of the original chair.\u003c\/p\u003e\n\u003cp\u003eIn this set, warm brown bentwood is paired with rich red leather, giving the Siesta a more expressive character while allowing its structural clarity to remain intact. The red seating surfaces appear almost suspended within the darker wooden frames, making the relationship between structure and comfort especially visible.\u003c\/p\u003e\n\u003cp\u003ePresented as two lounge chairs with a matching ottoman, the repeated curves create a strong and coherent composition. The pieces feel relaxed and generous without becoming visually heavy, an approach that captures the essence of Relling's design philosophy.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eIngmar Relling (1920–2002) was one of the defining figures of Norwegian modern furniture design.\u003c\/p\u003e\n\u003cp\u003eHe began his career at Rastad \u0026amp; Relling in 1947 before establishing his own studio in Sykkylven in 1950. Working within one of Norway's most important furniture-producing regions, Relling developed an approach characterised by economical construction, ergonomic thinking and a sophisticated understanding of laminated wood.\u003c\/p\u003e\n\u003cp\u003eHis breakthrough came in 1965 with the Siesta Chair. The design won first prize in the Norwegian Industry Council for Furniture and Furnishing's chair competition that same year and subsequently became Relling's most internationally recognised work.\u003c\/p\u003e\n\u003cp\u003eRather than hiding the engineering of the chair beneath upholstery, Relling made its construction fundamental to its appearance. The exposed bentwood frame and suspended leather seat became a particularly clear expression of the Scandinavian principle of achieving more with less.\u003c\/p\u003e\n\u003cp\u003eThe Siesta ultimately became an icon of Norwegian design and remains the piece most closely associated with Relling's career.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eWestnofa, a name derived from West Norway Factories, was established in the late 1950s to bring Norwegian furniture to the international market.\u003c\/p\u003e\n\u003cp\u003eRather than functioning simply as a conventional furniture factory, Westnofa brought together manufacturers from western Norway and helped introduce their work to buyers around the world.\u003c\/p\u003e\n\u003cp\u003eThis coordinated approach played an important role in establishing Norwegian furniture internationally during the postwar period, placing its designers within the broader Scandinavian Modern movement.\u003c\/p\u003e\n\u003cp\u003eIngmar Relling's Siesta became one of the designs most closely associated with the Westnofa name. Its international success made the chair an important ambassador for Norwegian furniture and one of the country's most recognisable modern designs.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe red leather upholstery remains in excellent vintage condition, retaining its rich colour, texture and natural character.\u003c\/p\u003e\n\u003cp\u003eThe brown bent plywood structures are equally well preserved, showing only subtle traces of age and use consistent with their vintage character.\u003c\/p\u003e\n\u003cp\u003eThe two chairs and matching ottoman remain visually coherent as a complete set, with the leather and wooden structures presenting beautifully together.\u003c\/p\u003e\n\u003cp\u003eOverall, the three pieces are presented in excellent vintage condition while preserving their authentic material character.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eChair\u003c\/strong\u003e\u003cbr\u003eWidth · 66 cm \/ 26 in\u003cbr\u003eDepth · 80 cm \/ 31.5 in\u003cbr\u003eHeight · 80 cm \/ 31.5 in\u003cbr\u003eSeat height · 44.5 cm \/ 17.5 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two Low-Back Siesta Lounge Chairs and matching Ottoman is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe complete three-piece set is ready to ship.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538974986577,"sku":"LRWN1960BBLP3","price":3590.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/67ae886b-il_fullxfull.7693112924_6jrg.jpg?v=1786446514"},{"product_id":"vintage-plywood-belt-armchair-design-thygesen-sorensen-magnus-olesen-denmark-1970s-scandinavian-mid-century-modern-minimal-furniture","title":"Model 5531 Armchair in Textile Webbing \u0026 Beech Plywood by Rud Thygesen \u0026 Johnny Sørensen for Magnus Olesen, 1970s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · 5531 Armchair\u003cbr\u003eDesigners · Rud Thygesen \u0026amp; Johnny Sørensen\u003cbr\u003eManufacturer · Magnus Olesen\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Danish Modern\u003cbr\u003eMaterials · Beech plywood, textile webbing\u003cbr\u003eColour · Natural beech, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Model 5531 is a particularly clear expression of Rud Thygesen and Johnny Sørensen's experiments with laminated wood, repetition and lightweight construction.\u003c\/p\u003e\n\u003cp\u003eDeveloped during the designers' early collaboration with Magnus Olesen, the chair reduces the traditional upholstered armchair to two essential systems. A sculptural laminated beech structure provides the architecture, while interwoven textile belts stretch across it to form the seat and backrest.\u003c\/p\u003e\n\u003cp\u003eThe contrast between these elements gives the 5531 its distinctive character. The plywood frame is continuous and precisely curved, while the black webbing introduces rhythm, flexibility and transparency. Comfort is achieved through tension rather than conventional padding.\u003c\/p\u003e\n\u003cp\u003eSeen from the side, the construction becomes particularly expressive. The armrests, legs and supporting frame read almost as a single flowing line, demonstrating how effectively laminated plywood could be used to create complex forms from relatively little material.\u003c\/p\u003e\n\u003cp\u003eAs a set of three, the repeated profiles and woven surfaces create a strong architectural composition. The chairs remain restrained individually, but together reveal the systematic thinking that characterised Thygesen and Sørensen's work during this period.\u003c\/p\u003e\n\u003ch3\u003eDesigners\u003c\/h3\u003e\n\u003cp\u003eRud Thygesen (1932–2019) and Johnny Sørensen (born 1944) were an important Danish design partnership whose work explored industrial production while remaining closely connected to the traditions of Scandinavian furniture.\u003c\/p\u003e\n\u003cp\u003eBoth graduated from the Danish School of Arts, Crafts and Design in 1966 and established their own studio that same year. Their collaboration with Magnus Olesen had already begun while they were still studying and would become central to their careers.\u003c\/p\u003e\n\u003cp\u003eDuring the early 1970s, Thygesen and Sørensen developed a series of laminated furniture for Magnus Olesen. The collection was conceived around a coherent technological and aesthetic system, using repeated components, precise curves and efficient production methods to create furniture with a remarkably consistent visual language.\u003c\/p\u003e\n\u003cp\u003eThe Model 5531 belongs directly to this investigation, combining the structural possibilities of laminated wood with a flexible woven seating surface.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eMagnus Olesen was founded in Denmark in 1937 and developed around a strong tradition of Danish furniture craftsmanship.\u003c\/p\u003e\n\u003cp\u003eThe company's collaboration with Rud Thygesen and Johnny Sørensen became particularly significant during the late 1960s and 1970s. Together they explored how modern manufacturing techniques could be reconciled with the material quality and functional clarity associated with Danish design.\u003c\/p\u003e\n\u003cp\u003eTheir laminated furniture series became an important part of Magnus Olesen's production, demonstrating how technically rational construction could also produce furniture with a distinctive architectural identity.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eAll three chairs retain their original beech plywood structures and original textile webbing.\u003c\/p\u003e\n\u003cp\u003eThe transparent lacquered frames remain in good vintage condition, preserving the natural tone and visible grain of the wood. Small traces of age and use are present across the surfaces.\u003c\/p\u003e\n\u003cp\u003eThe original black woven seating remains well preserved and functional, with natural signs of use consistent with the age of the pieces.\u003c\/p\u003e\n\u003cp\u003eOverall, the set is presented in good original vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 61 cm \/ 24 in\u003cbr\u003eDepth · 74 cm \/ 29 in\u003cbr\u003eHeight · 78 cm \/ 30.7 in\u003cbr\u003eSeat height · 43 cm \/ 17 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of three Model 5531 Armchairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set is ready to ship within 5 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975052113,"sku":"ASMD1950BBBC1","price":990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/MagnusOlesen55311x1.jpg?v=1788364951"},{"product_id":"vintage-tan-leather-plywood-falcon-chair-sigurd-ressell-vatne-mobler-1970s-norway-set-of-2-scandinavian-mid-century-modern-minimalist-icon","title":"Falcon Lounge Chairs in Tan Leather \u0026 Bentwood by Sigurd Ressell for Vatne Møbler, 1970s, Set of 2","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Falcon\u003cbr\u003eDesigner · Sigurd Ressell\u003cbr\u003eManufacturer · Vatne Møbler\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Norwegian Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Beige, tan\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Falcon Chair is one of the most distinctive expressions of Sigurd Ressell's experiments with suspended seating and one of the defining objects of 1970s Norwegian furniture design.\u003c\/p\u003e\n\u003cp\u003eDeveloped around 1970 and introduced by Vatne Møbler shortly afterwards, the Falcon was based on an unconventional structural idea. Rather than constructing comfort around a conventional upholstered frame, Ressell suspended a generous leather seat within an independent supporting structure, allowing the body to settle naturally into the chair.\u003c\/p\u003e\n\u003cp\u003eThe earliest Falcon used a metal base, but in 1974 Ressell developed the laminated bentwood structure seen here. Four sweeping wooden elements form a remarkably economical supporting frame, with the leather seating suspended between them. The separation between rigid structure and soft seating gives the Falcon its characteristic floating appearance.\u003c\/p\u003e\n\u003cp\u003eIn these examples, the light beige bentwood frames are paired with warm tan leather cushions. The contrast makes the construction especially legible, with the pale wooden structures visually framing the suspended leather and emphasising the sculptural geometry of the chairs.\u003c\/p\u003e\n\u003cp\u003ePresented as a pair, the repeated bentwood profiles create a strong but relaxed composition. Their low position, open structures and hammock-like seats embody a distinctly Scandinavian approach to comfort, where construction remains visible and every element has a clear purpose.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eSigurd Ressell (1920–2010) was a Norwegian interior and industrial designer whose work played an important role in the development of postwar Norwegian furniture.\u003c\/p\u003e\n\u003cp\u003eAfter studying carpentry at the Norwegian National Academy of Craft \u0026amp; Art Industry, Ressell worked for Rastad \u0026amp; Relling from 1948 until 1968, designing furniture and interiors during a formative period for Scandinavian modernism.\u003c\/p\u003e\n\u003cp\u003eDuring the 1960s, his work increasingly explored steel structures, suspended seating and unconventional methods of supporting the body. These experiments eventually established the principles behind his most celebrated design.\u003c\/p\u003e\n\u003cp\u003eRessell joined Vatne Møbler as chief designer in 1968, and the Falcon followed around 1970. Originally developed under the name Blank Vals, the chair entered production as the Falcon in 1971 and quickly became an international commercial success.\u003c\/p\u003e\n\u003cp\u003eThe later laminated wood version refined the concept further, combining the relaxed character of suspended seating with the bentwood construction deeply associated with Scandinavian furniture.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eVatne Møbler was established in 1946 in Vatne, Sunnmøre, originally under the name Vatne Lenestolfabrikk.\u003c\/p\u003e\n\u003cp\u003eThe Norwegian manufacturer became particularly recognised for high-quality upholstered furniture and its collaborations with designers including Fredrik A. Kayser and Sigurd Ressell.\u003c\/p\u003e\n\u003cp\u003eThe Falcon became one of Vatne's defining designs. Its international popularity during the 1970s helped establish both the manufacturer and Ressell's work far beyond Norway, with the chair finding an especially strong audience in the United States, Japan, Germany and Australia.\u003c\/p\u003e\n\u003cp\u003eThe introduction of the laminated bentwood base in 1974 made the Falcon lighter and easier to distribute internationally while creating the distinctive sculptural structure for which the design remains widely recognised.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eBoth chairs retain their fully original bent plywood structures, which remain in good vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe tan leather cushions have been refreshed and present beautifully, retaining the softness and natural character appropriate to the design.\u003c\/p\u003e\n\u003cp\u003eThe light beige wooden frames show natural traces of age and use consistent with their vintage character while remaining structurally sound and well preserved.\u003c\/p\u003e\n\u003cp\u003eOverall, the pair is presented in very good restored vintage condition while retaining its original frames.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 78 cm \/ 30.7 in\u003cbr\u003eDepth · 78 cm \/ 30.7 in\u003cbr\u003eHeight · 83 cm \/ 32.6 in\u003cbr\u003eSeat height · 38 cm \/ 14.9 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe set of two Falcon Lounge Chairs is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe set of two Falcon Lounge Chairs is ready to ship within 10 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975150417,"sku":"LSRVN1970TBLP2","price":4120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/f75a89e2-il_fullxfull.7696424730_1194.jpg?v=1786446514"},{"product_id":"vintage-black-stained-birch-mademoiselle-rocking-chair-ilmari-tapiovaara-asko-finland-1956-scandinavian-mid-century-modern-minimalist-design","title":"Mademoiselle Rocking Chair in Black Stained Birch by Ilmari Tapiovaara for Asko, 1956","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Mademoiselle Rocking Chair\u003cbr\u003eDesigner · Ilmari Tapiovaara\u003cbr\u003eManufacturer · Asko\u003cbr\u003eOrigin · Finland\u003cbr\u003eDesign · 1956\u003cbr\u003eStyle · Scandinavian Modern \/ Finnish Modern\u003cbr\u003eMaterials · Solid birch\u003cbr\u003eColour · Black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Mademoiselle Rocking Chair is one of Ilmari Tapiovaara's most recognisable designs and a particularly expressive example of postwar Finnish modernism.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1956, the chair combines the familiar archetype of traditional spindle-back furniture with the clarity and economy of modern Scandinavian design. Rather than rejecting vernacular furniture, Tapiovaara refined its essential elements into something distinctly contemporary.\u003c\/p\u003e\n\u003cp\u003eThe tall back is formed by a rhythmic sequence of slender birch spindles, visually connecting the curved upper rail with the sculpted seat below. Sweeping rockers extend the composition towards the floor, giving the chair an unusually strong silhouette from almost every angle.\u003c\/p\u003e\n\u003cp\u003eIts black stained finish plays an important role in the design. By reducing the visual distinction between individual wooden components, the dark surface allows the geometry of the chair to read as a single graphic composition. Light passing between the spindles gives the substantial high back an unexpected transparency.\u003c\/p\u003e\n\u003cp\u003eThe Mademoiselle reflects Tapiovaara's belief that good furniture should be practical, durable and accessible without sacrificing character. Nearly seventy years after its introduction, it remains remarkably contemporary while retaining a clear connection to traditional Finnish furniture.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eIlmari Tapiovaara (1914–1999) was a Finnish architect and designer and one of the most important figures in 20th-century Scandinavian furniture.\u003c\/p\u003e\n\u003cp\u003eHis approach was strongly human-centred. Tapiovaara believed that furniture should respond to everyday life through durability, efficient construction and material economy rather than decoration or unnecessary complexity.\u003c\/p\u003e\n\u003cp\u003eThroughout his career, he developed furniture for domestic interiors as well as schools, universities and other public environments. This interest in democratic design encouraged him to explore forms that could be manufactured efficiently while remaining comfortable and visually distinctive.\u003c\/p\u003e\n\u003cp\u003eTapiovaara frequently drew inspiration from traditional Finnish furniture and translated familiar wooden typologies into modern industrial objects. The Mademoiselle series demonstrates this approach particularly clearly, combining spindle construction and solid birch with the simplified proportions of postwar modernism.\u003c\/p\u003e\n\u003cp\u003eHis work became an important contribution to Finnish design culture and helped establish the international identity of Scandinavian Modern furniture.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eAsko was founded in Finland in 1918 and developed into one of the country's major furniture manufacturers during the 20th century.\u003c\/p\u003e\n\u003cp\u003eThe company became closely associated with the growth of Finnish modern furniture, combining industrial production with the work of some of Finland's most important designers.\u003c\/p\u003e\n\u003cp\u003eIts collaboration with Ilmari Tapiovaara resulted in several significant designs, including the Mademoiselle series. Asko's manufacturing capabilities allowed Tapiovaara's ideas about durable, functional and accessible furniture to reach a considerably wider audience.\u003c\/p\u003e\n\u003cp\u003eThe Mademoiselle became one of the most recognisable products associated with this collaboration and remains a distinctive example of Finnish postwar design.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe chair retains its fully original solid birch structure and black stained finish.\u003c\/p\u003e\n\u003cp\u003eThe wooden surfaces show light and honest traces of age and use consistent with the chair's vintage character. These signs remain sympathetic to the piece and preserve the authenticity of its original finish.\u003c\/p\u003e\n\u003cp\u003eThe structure remains sound and well preserved, without structural issues.\u003c\/p\u003e\n\u003cp\u003eOverall, the Mademoiselle Rocking Chair is presented in very good original vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 58 cm \/ 22.8 in\u003cbr\u003eDepth · 80 cm \/ 31.5 in\u003cbr\u003eHeight · 88 cm \/ 34.6 in\u003cbr\u003eSeat height · 43 cm \/ 16.9 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe Mademoiselle Rocking Chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe Mademoiselle Rocking Chair is ready to ship within 10–15 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975215953,"sku":"RMITF1956BB1","price":1940.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/b290ab27-il_fullxfull.7693473498_pstm.jpg?v=1786446513"},{"product_id":"vintage-beech-belt-pernilla-lounge-chair-bruno-mathsson-dux-1969-scandinavian-original-mid-century-modern-minimalist-original-design-icon","title":"Pernilla Lounge Chair in Woven Webbing \u0026 Beech Plywood, by Bruno Mathsson for DUX, 1969","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Pernilla\u003cbr\u003eDesigner · Bruno Mathsson\u003cbr\u003eManufacturer · DUX\u003cbr\u003eOrigin · Sweden\u003cbr\u003ePeriod · 1969\u003cbr\u003eStyle · Scandinavian Modern \/ Swedish Modern\u003cbr\u003eMaterials · Laminated beech, woven cotton webbing\u003cbr\u003eColour · Natural beech, off-white\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Pernilla is Bruno Mathsson's idea of comfort reduced almost entirely to structure.\u003c\/p\u003e\n\u003cp\u003eRather than building a conventional upholstered armchair, Mathsson shaped a continuous laminated beech frame around the natural posture of the human body. Across it, woven webbing creates a flexible surface that supports rather than contains the sitter. The result feels closer to a suspended piece of architecture than traditional furniture.\u003c\/p\u003e\n\u003cp\u003eThis example makes that construction particularly visible. Natural beech forms the sculptural outline, while rows of off-white cotton webbing stretch rhythmically across the frame. Without heavy cushions or upholstery to conceal it, every curve, connection and structural decision becomes part of the chair's visual identity.\u003c\/p\u003e\n\u003cp\u003eThere is a remarkable lightness to the Pernilla. Its profile is expressive but never excessive, and its comfort comes not from volume but from geometry, flexibility and an unusually sophisticated understanding of the body.\u003c\/p\u003e\n\u003cp\u003eIt is precisely this combination that makes Mathsson's work feel so contemporary. Nothing is disguised, and almost nothing can be removed.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eBruno Mathsson (1907–1988) was one of Sweden's most important modernist designers and a pioneer in the development of ergonomic furniture.\u003c\/p\u003e\n\u003cp\u003eBorn into a family of cabinetmakers in Värnamo, Mathsson developed an intimate knowledge of wood and traditional craftsmanship before beginning his experiments with laminated construction. By bending thin layers of wood into continuous structural forms, he discovered a way of creating furniture that was simultaneously strong, lightweight and remarkably organic.\u003c\/p\u003e\n\u003cp\u003eHis fascination with the mechanics of sitting became central to his career. Rather than beginning with the conventional idea of what a chair should look like, Mathsson studied the posture and pressure points of the human body and allowed those observations to determine the form.\u003c\/p\u003e\n\u003cp\u003eThe Pernilla belongs to this lifelong investigation into how little structure is actually necessary to create genuine comfort.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eDUX was founded in Malmö, Sweden, in 1926 by Efraim Ljung and became one of the country's most respected manufacturers of modern furniture.\u003c\/p\u003e\n\u003cp\u003eKnown for its focus on comfort, engineering and high-quality production, DUX collaborated with several significant Scandinavian designers throughout the 20th century.\u003c\/p\u003e\n\u003cp\u003eIts relationship with Bruno Mathsson brought his experimental approach to ergonomics and structure into sophisticated production, creating furniture that combined his sculptural ideas with the precision required for everyday use.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe laminated beech structure remains fully original and has been carefully preserved, retaining its warm natural tone, visible grain and transparent lacquer finish.\u003c\/p\u003e\n\u003cp\u003eThe woven seating has been professionally reupholstered in fresh off-white cotton webbing, restoring the tension and rhythmic appearance fundamental to Mathsson's original concept.\u003c\/p\u003e\n\u003cp\u003eOverall, the chair is presented in excellent, nearly new vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 66 cm \/ 26 in\u003cbr\u003eDepth · 84 cm \/ 33.1 in\u003cbr\u003eHeight · 97 cm \/ 38.2 in\u003cbr\u003eSeat height · 25 cm \/ 9.8 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe Pernilla Lounge Chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe Pernilla Lounge Chair is ready to ship within 10 business days.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975281489,"sku":"LMD1976WYCB1","price":3490.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/bafa5dff-il_fullxfull.7313118767_gjz2.jpg?v=1786446515"},{"product_id":"cognac-leather-brown-wood-guldhoj-folding-stool-poul-hundevad-1950s-denmark-original-scandinavian-mid-century-modern-minimalist-design","title":"Guldhøj Folding Stool by Poul Hundevad for Hundevad \u0026 Co, 1950s","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eModel · Guldhøj\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesigner · Poul Hundevad\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eManufacturer · Hundevad \u0026amp; Co.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrigin · Denmark\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeriod · 1950s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyle · Scandinavian Modern \/ Danish Modern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaterials · Solid wood, leather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eColour · Cognac, black\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eObject\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eGuldhøj looks almost too elemental to belong to the 20th century. Two pieces of wood cross beneath a suspended leather seat, folding together with a gesture that feels more discovered than designed. There is no decoration and almost no excess material. Its beauty comes entirely from structure.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAnd in a way, the stool really does belong to another time. Hundevad based the design on an ancient Danish folding stool discovered in a Bronze Age burial mound at Guldhøj. Reimagined in the 1950s, the archaeological object became something quietly modern. Thousands of years collapse into a few pieces of wood and leather, turning one of Denmark's oldest furniture forms into one of its most timeless.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDesigner\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePoul Hundevad (1917–2011) was trained as a cabinetmaker in Denmark, where craftsmanship was understood not simply as a way of making furniture, but as a way of thinking about it. His work belongs to the golden age of Danish modernism, yet often looked further back for its ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Guldhøj Stool is perhaps the clearest expression of that instinct. Rather than inventing an entirely new form, Hundevad returned to an ancient Danish object and recognised something unexpectedly contemporary within it. Through careful proportions, honest materials and extraordinary restraint, history became modern design.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eManufacturer\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eHundevad \u0026amp; Co. grew around Poul Hundevad's designs during one of the most fertile periods of Danish furniture making. Its production was rooted in traditional cabinetmaking, precision and a respect for natural materials, allowing even remarkably simple pieces to feel considered down to their smallest details.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe Guldhøj Stool became one of the workshop's defining objects, bringing an ancient Danish form into modern homes and demonstrating how little was needed to create something enduring.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eCondition\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe solid wooden frame and black leather seat remain original and are preserved in excellent, nearly new vintage condition. The materials show only minimal traces of age and previous use. As with any authentic vintage piece, subtle signs of time may be present, adding to its history and individual character.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eDimensions\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWidth · 60 cm \/ 23.6 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDepth · 38 cm \/ 15.0 in\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHeight · 44 cm \/ 17.3 in\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eIncluded\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe folding stool is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eAvailability\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe folding stool can be ready to ship within 10-15 workdays.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eShipping\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eEnquiries\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e© Back to the Furniture\u003c\/span\u003e\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975314257,"sku":"SPH1950BCWL1","price":4851.11,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/b3ce9901-il_fullxfull.7264713976_3tx1.jpg?v=1786446517"},{"product_id":"vintage-peanut-brown-leather-highback-plywood-siesta-chair-ottoman-ingmar-relling-westnofa-norway-1970s-scandinavian-mid-century-modern-icon","title":"High-Back Siesta Lounge Chair \u0026 Ottoman in Brown Leather \u0026 Plywood by Ingmar Relling for Westnofa, 1970s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Siesta, High-Back\u003cbr\u003eDesigner · Ingmar Relling\u003cbr\u003eManufacturer · Westnofa\u003cbr\u003eOrigin · Norway\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Scandinavian Modern \/ Norwegian Modern\u003cbr\u003eMaterials · Bent plywood, leather\u003cbr\u003eColour · Brown, peanut brown\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe high-back Siesta with its accompanying ottoman presents Ingmar Relling's most celebrated design as a complete lounge composition.\u003c\/p\u003e\n\u003cp\u003eDesigned in 1965, the Siesta was based on a remarkably economical structural idea. Instead of constructing a conventional upholstered armchair, Relling created a curved laminated wood frame from which the seating surface could be suspended. The frame provides strength and flexibility, while the leather follows the body without adding unnecessary volume.\u003c\/p\u003e\n\u003cp\u003eThe high-back version extends this principle into a taller and more enveloping silhouette. Its elongated backrest provides additional support while emphasising the sweeping movement of the bentwood structure. Paired with the ottoman, the design creates a particularly relaxed sitting position while retaining the visual lightness fundamental to the Siesta family.\u003c\/p\u003e\n\u003cp\u003eIn this example, warm brown plywood is paired with peanut brown leather, creating an unusually rich tonal composition. Rather than relying on contrast, the materials sit within the same warm spectrum, allowing the curves and construction of the chair to become the dominant visual elements.\u003c\/p\u003e\n\u003cp\u003eThe Siesta received first prize in the Norwegian Industry Council for Furniture and Furnishing's chair competition in 1965 and subsequently became an international success. Decades later, its relevance remains rooted in the intelligence of the original idea: genuine comfort achieved with remarkably little material.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eIngmar Relling (1920–2002) was one of the defining figures of Norwegian modern furniture design.\u003c\/p\u003e\n\u003cp\u003eHe began his career at Rastad \u0026amp; Relling in 1947 before establishing his own studio in Sykkylven in 1950. Working within one of Norway's most important furniture-producing regions, Relling developed an approach characterised by economical construction, ergonomic thinking and a sophisticated understanding of laminated wood.\u003c\/p\u003e\n\u003cp\u003eThe Siesta Chair, designed in 1965, became his breakthrough. Its bentwood structure and suspended seating offered a lightweight alternative to the heavier upholstered lounge chairs common during the period.\u003c\/p\u003e\n\u003cp\u003eRather than concealing the engineering beneath upholstery, Relling made the structure itself fundamental to the chair's appearance. This combination of visible construction, material economy and comfort became one of the clearest expressions of his design philosophy.\u003c\/p\u003e\n\u003cp\u003eThe accompanying ottoman follows precisely the same principle, extending the chair's structural language into a second object and completing Relling's idea of relaxed, flexible seating.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eWestnofa, a name derived from West Norway Factories, was established in the late 1950s to bring Norwegian furniture to the international market.\u003c\/p\u003e\n\u003cp\u003eRather than functioning simply as a conventional furniture factory, Westnofa brought together manufacturers from western Norway and helped introduce their work to buyers around the world.\u003c\/p\u003e\n\u003cp\u003eIngmar Relling's Siesta became one of the designs most closely associated with the Westnofa name. Its international success played an important role in establishing Norwegian furniture within the broader Scandinavian Modern movement.\u003c\/p\u003e\n\u003cp\u003eThis chair and ottoman retain their manufacturer's labelling, providing an additional mark of their original production and authenticity.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eBoth the chair and ottoman are presented in very good vintage condition.\u003c\/p\u003e\n\u003cp\u003eThe peanut brown leather remains beautifully preserved, retaining its warm colour and natural vintage character.\u003c\/p\u003e\n\u003cp\u003eThe bent plywood structures are equally well preserved, showing only slight traces of age and use while maintaining their warm brown finish and structural integrity.\u003c\/p\u003e\n\u003cp\u003eThe set retains its original manufacturer's labelling.\u003c\/p\u003e\n\u003cp\u003eOverall, the chair and ottoman present beautifully as a complete vintage set.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eChair\u003c\/strong\u003e\u003cbr\u003eWidth · 66 cm \/ 26 in\u003cbr\u003eDepth · 76 cm \/ 30 in\u003cbr\u003eHeight · 95 cm \/ 37.4 in\u003cbr\u003eSeat height · 43 cm \/ 17 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe High-Back Siesta Lounge Chair \u0026amp; Ottoman are accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe High-Back Siesta Lounge Chair \u0026amp; Ottoman are ready to ship.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the pieces, their condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden has-[\u0026gt;_:empty]:hidden\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975412561,"sku":"LRWN1960BBLP2","price":2810.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/fd6dd3b7-il_fullxfull.8109187934_8xpj.jpg?v=1786446515"},{"product_id":"vintage-ocean-blue-felt-brown-walnut-convertible-sleeping-armchair-1970s-mid-century-modern-retro-bohemian-minimal-design-baltic-furniture","title":"Azuolas Convertible Sleeping Armchair In Ocean Blue Felt \u0026 Oak by V.E. Cukermaniene for VBK, 1970s","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Azuolas\u003cbr\u003eDesigner · Valerija Ema Cukermaniene\u003cbr\u003eManufacturer · Vilniaus Baldų Kombinatas\u003cbr\u003eOrigin · Lithuania\u003cbr\u003ePeriod · 1970s\u003cbr\u003eStyle · Baltic Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Solid oak, felt\u003cbr\u003eColour · Brown, ocean blue\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eAt first, it is simply a small armchair. Pull it open and the geometry begins to unfold, transforming a compact piece of furniture into a place to sleep. Nothing disappears inside a complicated mechanism. The construction itself performs the transformation.\u003c\/p\u003e\n\u003cp\u003ePart of Valerija Ema Cukermanienė's Ąžuolas furniture family, the chair belongs to a quieter chapter of European modernism, developed behind the Iron Curtain and largely unknown outside the Baltic states. There is something wonderfully domestic about it. Dark wood, ocean blue felt and a mechanism designed for apartments where one object might need to live several lives. It is furniture imagined not as decoration, but as a small piece of everyday architecture.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eValerija Ema Cukermanienė was a Lithuanian architect and furniture designer whose work moved naturally between interiors, architecture and objects. During the 1960s, 70s and 80s, she designed furniture for some of Lithuania's most important public interiors, including government, theatre and cultural buildings.\u003c\/p\u003e\n\u003cp\u003eHer Ąžuolas collection brought that architectural thinking into the scale of domestic life. Armchairs, sofas, tables and convertible pieces formed a family rather than a collection of isolated objects. Practical constraints became part of the aesthetic, creating furniture that feels economical and rational but never anonymous.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eVilniaus Baldų Kombinatas belonged to Lithuania's long tradition of furniture manufacturing and became an important producer during the country's Soviet period. Its history reaches back to the nineteenth century, while the company continues today as Vilniaus Baldai.\u003c\/p\u003e\n\u003cp\u003ePieces produced there during the postwar decades reveal a particularly Baltic interpretation of modernism. International ideas of functional furniture met local materials, manufacturing realities and the needs of increasingly compact urban homes, creating objects with an identity quite distinct from their Scandinavian neighbours.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe seating has been completely reupholstered in \u003cmeta charset=\"utf-8\"\u003eocean blue felt. The original solid oak structure has been carefully polished, finished with walnut mordant and protected with transparent water-based lacquer. The armchair is preserved in excellent restored vintage condition while retaining the original structure and convertible function.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 64 cm \/ 25.0 in\u003cbr\u003eDepth · 48 cm \/ 19.0 in\u003cbr\u003eHeight · 89 cm \/ 35.0 in\u003cbr\u003eSeat height · 46 cm \/ 18.0 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe convertible armchair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe convertible armchair can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975347025,"sku":"ACVL1964BBFO1","price":1980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/fecd8cf2-il_fullxfull.8156627827_j93u.jpg?v=1786446519"},{"product_id":"scandinavian-black-leather-spanish-chair-borge-mogensen-fredericia-stolefabrik-denmark-1960s-vintage-mid-century-modern-minimal-furniture","title":"Spanish Chair in Oak \u0026 Black Leather by Børge Mogensen for Fredericia Stolefabrik, 1960s","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eModel · Spanish Chair\u003cbr\u003eDesigner · Børge Mogensen\u003cbr\u003eManufacturer · Fredericia Stolefabrik\u003cbr\u003eOrigin · Denmark\u003cbr\u003ePeriod · 1960s\u003cbr\u003eStyle · Scandinavian Modern \/ Mid-Century Modern\u003cbr\u003eMaterials · Solid oak, saddle leather\u003cbr\u003eColour · Light oak, black\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eObject\u003c\/h3\u003e\n\u003cp\u003eThe Spanish Chair feels less designed than assembled from a few ancient ideas. Four heavy pieces of oak create the structure. Thick leather is stretched between them. Wide armrests become surfaces of their own. Nothing is hidden, and almost nothing is added.\u003c\/p\u003e\n\u003cp\u003eMogensen designed the chair in 1958 after travelling through Spain, where he encountered traditional chairs built from solid wood and saddle leather. He brought the idea home and removed everything unnecessary. What remained was something almost architectural, a chair that asks for space around it and becomes better as its materials begin to carry the life lived around them.\u003c\/p\u003e\n\u003ch3\u003eDesigner\u003c\/h3\u003e\n\u003cp\u003eBørge Mogensen (1914–1972) belonged to the generation that turned Danish furniture into an international language, but his work rarely chased novelty. He was interested in ordinary life and in making furniture simple enough, strong enough and comfortable enough to remain part of it for decades.\u003c\/p\u003e\n\u003cp\u003eTrained as a cabinetmaker before studying under Kaare Klint, Mogensen looked constantly to vernacular furniture, old tools and anonymous objects whose forms had been refined through use rather than fashion. The Spanish Chair captures that thinking beautifully. An old Mediterranean archetype became something unmistakably Danish without losing the roughness and honesty that made the original compelling.\u003c\/p\u003e\n\u003ch3\u003eManufacturer\u003c\/h3\u003e\n\u003cp\u003eFredericia Stolefabrik was founded in the Danish town of Fredericia in 1911. Its defining chapter began with Børge Mogensen, whose close relationship with the company produced furniture built around unusually straightforward ideas: excellent materials, precise craftsmanship and forms intended to survive generations rather than seasons.\u003c\/p\u003e\n\u003cp\u003eThe Spanish Chair became one of the clearest expressions of that relationship. More than sixty years after its creation, Fredericia continues to produce the design, allowing Mogensen's uncompromising combination of oak and saddle leather to remain part of contemporary interiors.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThe original solid oak frame has been carefully refinished in a light natural tone, preserving the grain and character of the wood. The black saddle leather seating and backrest have been refreshed, restoring their strength and tactile quality while remaining faithful to the original design. The chair is preserved in excellent vintage condition.\u003c\/p\u003e\n\u003ch3\u003eDimensions\u003c\/h3\u003e\n\u003cp\u003eWidth · 82 cm \/ 32.3 in\u003cbr\u003eDepth · 60 cm \/ 23.6 in\u003cbr\u003eHeight · 68 cm \/ 26.8 in\u003cbr\u003eSeat height · 35 cm \/ 13.8 in\u003c\/p\u003e\n\u003ch3\u003eIncluded\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair is accompanied by a Back to the Furniture Certificate of Originality, a Back to the Furniture flyer, a Thank You card and a small gift.\u003c\/p\u003e\n\u003ch3\u003eAvailability\u003c\/h3\u003e\n\u003cp\u003eThe lounge chair can be ready to ship within 10-15 workdays.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Every piece is carefully prepared and packed for international transport. Shipping costs are calculated according to destination at checkout, with tracking provided after dispatch.\u003c\/p\u003e\n\u003ch3\u003eEnquiries\u003c\/h3\u003e\n\u003cp\u003eFor questions about the piece, its condition, shipping, delivery or any other details, please get in touch. Additional information is always available before purchase.\u003c\/p\u003e\n\u003cp\u003e© Back to the Furniture\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Back To The Furniture","offers":[{"title":"Default Title","offer_id":54538975478097,"sku":"LBMD1960BBLW1","price":5890.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1069\/9351\/6881\/files\/8b09de4a-il_fullxfull.7290253784_je2z.jpg?v=1786446515"}],"url":"https:\/\/backtothefurniture.co\/collections\/all.oembed?page=4","provider":"Back To The Furniture","version":"1.0","type":"link"}